Then, in the 1880s, an astounding thing happened. Iranian grammarian Mirza Habib translated Hajji Baba into Persian. Remarkably, what in English was offensive racist trash became, in translation, a literary masterpiece that laid the groundwork for a modernist Persian literary voice and “a seminal text in the course of the constitutional movement.” The ridicule that Morier directed against Iranians in an Orientalist manner, the translator redirected against clerical and courtly corruption in Iranian society, thereby transforming Hajji Baba into an incendiary political critique.2
