Christopher (Donut)

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And the fact was not an easy one to face; these people were the body-corporate for him now, and yet—how much worse it could be. Two of their women seemed physically attractive and he could tell—or believed he could—that they were, so to speak, interested; he sensed the subtle interaction of the manifold complexities of the interpersonal relationships which built up in the cramped confines of a single hovel. But— “The way out,” Mary Regan said quietly to him, seating herself on the side of the bench opposite Tod Morris, “is through one or the other of the translating drugs, Mr. Mayerson. ...more
The Three Stigmata of Palmer Eldritch
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