first came across him in the latrines of the encampment. His battery had a latrine known as ‘La Scala’ because he had a little opera club that shat together there at the same time every morning, sitting in a row on the wooden plank with their trousers about their ankles. He had two baritones, three tenors, a bass, and a counter-tenor who was much mocked on account of having to sing all the women’s parts, and the idea was that each man should expel either a turd or a fart during the crescendos, when they could not be heard above the singing. In this way the indignity of communal defecation was
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