Finite and Infinite Games

by James P. Carse

Such travel is not through space foreign to us, but in a space that belongs to us. We do not move from our point of departure, but with our point of departure. To be moved from our living room by an automobile whose upholstered seats differ scarcely at all from those in our living rooms, to an airport waiting room and then to the airplane where we are provided the same sort of furniture, is to have taken our origin with us; it is to have left home without leaving home. To be at home everywhere is to neutralize space. Therefore, the importance of reducing time in travel: by arriving as quickly as possible we need not feel as though we had left at all, that neither space nor time can affect us—as though they belong to us, and not we to them. We do not go somewhere in a car, but arrive somewhere in a car. Automobiles do not make travel possible, but make it possible for us to move locations without traveling. Thus, the theatricality of machinery: Such movement is but a change of scenes. If effective, the machinery will see to it that we remain untouched by the elements, by other travelers, by those whose towns or lives we are traveling through. We can see without being seen, move without being touched.