If modern conservatism can be held to derive from Burke, it is not just because he appealed to property owners in behalf of stability but also because he appealed to an everyday interest in the preservation of the ancestral and the immemorial. And the abolition of memory, as we have come to know in our own time, is an aspect of the totalitarian that spares neither right nor left. In the cult of “now,” just as in the making of Reason into an idol, the writhings of nihilism are to be detected. It is vastly to the credit of Conor Cruise O’Brien that he still feels it necessary to defend Burke
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