Mimi Hunter

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Her misgivings were justified. In want of occupation in the early weeks of 1910, Cole and Adrian hatched an audacious, if to our way of thinking racially insensitive, plot. In it, they would reprise an exploit from their student days when they had blackened their faces and masqueraded as the Sultan of Zanzibar’s uncle and his suite.
The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain
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