Mimi Hunter

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To compensate for the ubiquitous black of the previous year, the palette of that Season ran rainbow-riot. The Post-Impressionists had been partly responsible for awakening London to the potential of flamboyant colour contrasts. The refined vernacular of the eighteenth century suddenly seemed insipid, if not downright precious.
The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain
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