When you’re in the moment, and this is just my view, you don’t know what the decisive one is. You might hope for it, but you’re going to try this and then that, or move a fraction one way or another. It’s actually at the editing stage, when you’re scrutinizing each shot under a magnifier, that you decide which of the moments you captured is the decisive one. There is no shame in giving yourself as many chances as possible to catch the fish that attracted you.
