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The old gods may be great, but they are neither kind nor merciful. They are fickle, unsteady as moonlight on water, or shadows in a storm. If you insist on calling them, take heed: be careful what you ask for, be willing to pay the price. And no matter how desperate or dire, never pray to the gods that answer after dark. Estele Magritte 1642–1719
No, Adeline has decided she would rather be a tree, like Estele. If she must grow roots, she would rather be left to flourish wild instead of pruned, would rather stand alone, allowed to grow beneath the open sky. Better that than firewood, cut down just to burn in someone else’s hearth.
Books, she has found, are a way to live a thousand lives—or to find strength in a very long one.
Déjà vu. Déjà su. Déjà vécu. Already seen. Already known. Already lived.
If a person cannot leave a mark, do they exist?
“Fall,” he says, “when everything is fading.”
His heart has a draft. It lets in light. It lets in storms. It lets in everything.
Blink and you’re twenty-eight, and everyone else is now a mile down the road, and you’re still trying to find it, and the irony is hardly lost on you that in wanting to live, to learn, to find yourself, you’ve gotten lost.
That he’d blinked and somehow years had gone by, and everyone else had carved their trenches, paved their paths, and he was still standing in a field, uncertain where to dig.

