Nora Osman

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Across the room, a trio of dark shapes—men’s forms, in trousers and waistcoats and jackets. In the low light, their headless forms seem alive, leaning into one another as they study her. She considers the cut of their clothes, the absence of bone stays or bustled skirts, and thinks, not for the first time, and certainly not for the last, how much simpler it would be to be a man, how easily they move through the world, and at such little cost.
The Invisible Life of Addie LaRue
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