I had been born in the summer of 1911, the same year that the dancer Pastora Imperio married El Gallo, when the Mexican singer Jorge Negrete came into the world. When the star of that age they called the Belle Époque was fading. In the distance the drums of what would be the first great war were beginning to be heard, while in Madrid cafés people read El Debate and El Heraldo, and on the stage La Chelito fired men’s passions as she moved her hips brazenly to the tempo of popular songs. During those summer months King Alfonso XIII managed to arrange that, between one lover and the next, his
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