Idoru (Bridge Trilogy, #2)

by William Gibson

She felt like everything, every little detail of Tokyo, was just different enough to create a kind of pressure, something that built up against her eyes, as though they’d grown tired of having to notice all the differences: a little sidewalk tree that was dressed up in a sort of woven basketwork jacket, the neon-avocado color of a payphone, a serious-looking girl with round glasses and a gray sweatshirt that said “Free Vagina.”

Kuwayama’s mild eyes regarded him through the rimless lenses. “It is about futurity, Mr. Laney.” “Futurity?” “Do you know that our word for ‘nature’ is of quite recent coinage? It is scarcely a hundred years old. We have never developed a sinister view of technology, Mr. Laney. It is an aspect of the natural, of oneness. Through our efforts, oneness perfects itself.” Kuwayama smiled. “And popular culture,” he said, “is the testbed of our futurity.”

All he knew about artificial intelligence came from work he’d done on a Slitscan episode documenting the unhappy personal life of one of the field’s leading researchers, but he knew that true AI was assumed never to have been achieved, and that current attempts to achieve it were supposed to be in directions quite opposite the creation of software that was good at acting like beautiful young women.