Orbital

by Samantha Harvey

Every swirling neon or red algal bloom in the polluted, warming, overfished Atlantic is crafted in large part by the hand of politics and human choices. Every retreating or retreated or disintegrating glacier, every granite shoulder of every mountain laid newly bare by snow that has never before melted, every scorched and blazing forest or bush, every shrinking ice sheet, every burning oil spill, the discolouration of a Mexican reservoir which signals the invasion of water hyacinths feeding on untreated sewage, a distorted flood-bulged river in Sudan or Pakistan or Bangladesh or North Dakota, or the prolonged pinking of evaporated lakes, or the Gran Chaco’s brown seepage of cattle ranch where once was rainforest, the expanding green-blue geometries of evaporation ponds where lithium is mined from the brine, or Tunisian salt flats in cloisonné pink, or the altered contour of a coastline where sea is reclaimed metre by painstaking metre and turned into land to house more and more people, or the altered contour of a coastline where land is reclaimed metre by metre by a sea that doesn’t care that there are more and more people in need of land, or a vanishing mangrove forest in Mumbai, or the hundreds of acres of greenhouses which make the entire southern tip of Spain reflective in the sun.