The Peregrine: The Hill of Summer & Diaries: The Complete Works of J. A. Baker
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In The Peregrine he wrote: ‘The hardest thing of all to see is what is really there.’
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but a fragrance of neglect still lingers, like a ghost of fallen grass.
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Its song is like the sound of a stream of wine spilling from a height into a deep and booming cask. It is an odorous sound, with a bouquet that rises to the quiet sky.
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Sparrowhawks were always near me in the dusk, like something I meant to say but could never quite remember.
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Learn to fear. To share fear is the greatest bond of all.
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The hunter must become the thing he hunts. What is, is now, must have the quivering intensity of an arrow thudding into a tree. Yesterday is dim and monochrome. A week ago you were not born. Persist, endure, follow, watch.
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Time is measured by a clock of blood. When one is active, close to the hawk, pursuing, the pulse races, time goes faster; when one is still, waiting, the pulse quietens, time is slow.
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it is the memory of a certain fulmination or declension of light that was unique to that time and that place on that day, a memory as vivid to the hunter as burning magnesium.
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has been slurred over by those
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The hardest thing of all to see is what is really there.
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Female peregrines, known as falcons,
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Males, or tiercels,
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Predators overcome their prey by the exploitation of weakness rather than by superior power.
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as it spreads out beneath him like a stain of white – that he can never fail to strike.
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orchards smelling of vinegary windfalls,
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like circles of raw liver, embedded in the darker matt brown of the moustachial mask.
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The falcon rose and fell, like a black billhook in splinters of white wood.
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a man walked along the sea-wall, flapping with maps. Five thousand dunlin flew low inland, twenty
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A frieze of curlew stood along the skyline,
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like a full-fed pike between reeds.
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Hawks hide in dead trees. They grow out of them like branches.
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The bird out of place is always the first to die. Terror seeks out the odd, and the sick, and the lost.
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and volleys of arrowed starlings hissed overhead.
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hawk’s kill is like the warm
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embers of a dying fire.
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Fear releases power.
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Wisps of sunlight in a bleak of cloud,
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skating up ripples, braking in a flurry of spray.
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The eyes were dark, intense, baleful.
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The dead bird dangled from a hawk’s-foot gallows.
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The procreant spring air is soft and warm.
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It is coiled like a hangman’s noose.
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It is good to have trees at one’s back, to feel that everything that does not matter is on the far side of the trees.
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orange-tinted wings and tail open and flash in the sun like flame-reflecting sprays of water.
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integument
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Their ears twitch to the volcanic growl of the thunder that is nearer now and more full-throated.
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seems to rise up from the earth itself, like the snarling blast of a primitive trumpet, musty with the breath of decay.
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seems to breathe through a snorkel, being itself submerged, far down below the surface of the day.
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There is a displacement of air among the shadows, an adumbration of wings.
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beautiful monotony of sound floating to silence on the marisma of the bluebells.