The Peregrine: The Hill of Summer & Diaries: The Complete Works of J. A. Baker
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To be recognised and accepted by a peregrine you must wear the same clothes, travel by the same way, perform actions in the same order. Like all birds, it fears the unpredictable.
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A peregrine fears nothing he can see clearly and far off.
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Learn to fear. To share fear is the greatest bond of all. The hunter must become the thing he hunts. What is, is now, must have the quivering intensity of an arrow thudding into a tree. Yesterday is dim and monochrome. A week ago you were not born. Persist, endure, follow, watch.
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A vivid sense of place glows like another limb. Direction has colour and meaning. South is a bright, blocked place, opaque and stifling; West is a thickening of the earth into trees, a drawing together, the great beef side of England, the heavenly haunch; North is open, bleak, a way to nothing; East is a quickening in the sky, a beckoning of light, a storming suddenness of sea.
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Time is measured by a clock of blood. When one is active, close to the hawk, pursuing, the pulse races, time goes faster; when one is still, waiting, the pulse quietens, time is slow.
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When one says ‘ten o’clock’ or ‘three o’clock,’ this is not the grey and shrunken time of towns; it is the memory of a certain fulmination or declension of light that was unique to that time and that place on that day, a memory as vivid to the hunter as burning magnesium.
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All birds eat living flesh at some time in their lives. Consider the cold-eyed thrush, that springy carnivore of lawns, worm stabber, basher to death of snails. We should not sentimentalise his song, and forget the killing that sustains it.
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Everything I describe took place while I was watching it, but I do not believe that honest observation is enough. The emotions and behaviour of the watcher are also facts, and they must be truthfully recorded.
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The hardest thing of all to see is what is really there. Books about birds show pictures of the peregrine, and the text is full of information. Large and isolated in the gleaming whiteness of the page, the hawk stares back at you, bold, statuesque, brightly coloured. But when you have shut the book, you will never see that bird again.
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The speed of the vertical stoop is undoubtedly well over a hundred miles an hour, but it is impossible to be more precise. The excitement of seeing a peregrine stoop cannot be defined by the use of statistics.
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Under the wind, a wren, in sunlight among fallen leaves in a dry ditch seemed suddenly divine, like a small brown priest in a parish of dead leaves and wintry hedges, devoted till death.
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He had the tenseness and taut ply in his wings that means he has sighted prey.
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They kept close together and did not jink, flying high and fast in a group, like starlings. This meant that a hawk was about.
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To hawks, these gritty country lanes must look like shingle beaches; the polished roads must gleam like seams of granite in a moorland waste. All the monstrous artefacts of man are natural, untainted things to them. All that is still is dead. All that moves, and stops, and does not move again, then very slowly dies. Movement is like colour to a hawk; it flares upon the eye like crimson flame. I