The Heart of the Matter (Vintage classics)

by Graham Greene

Scobie climbed the great steps and turned to his right along the shaded outside corridor to his room: a table, two kitchen chairs, a cupboard, some rusty handcuffs hanging on a nail like an old hat, a filing cabinet: to a stranger it would have appeared a bare uncomfortable room but to Scobie it was home. Other men slowly build up the sense of home by accumulation—a new picture, more and more books, an odd-shaped paper-weight, the ash-tray bought for a forgotten reason on a forgotten holiday; Scobie built his home by a process of reduction. He had started out fifteen years ago with far more than this. There had been a photograph of his wife, bright leather cushions from the market, an easy-chair, a large coloured map of the port on the wall. The map had been borrowed by younger men: it was of no more use to him; he carried the whole coastline of the colony in his mind’s eye: from Kufa Bay to Medley was his beat. As for the cushions and the easy-chair, he had soon discovered how comfort of that kind down in the airless town meant heat. Where the body was touched or enclosed it sweated. Last of all his wife’s photograph had been made unnecessary by her presence. She had joined him the first year of the phoney war and now she couldn’t get away: the danger of submarines had made her as much a fixture as the handcuffs on the nail. Besides, it had been a very early photograph, and he no longer cared to be reminded of the unformed face, the expression calm and gentle with lack of...