The academic literature on innovation and creativity is rich with subtle distinctions between innovations and inventions, between different modes of creativity: artistic, scientific, technological. I have deliberately chosen the broadest possible phrasing—good ideas—to suggest the cross-disciplinary vantage point I am trying to occupy. The good ideas in this survey range from software platforms to musical genres to scientific paradigms to new models for government. My premise is that there is as much value to be found in seeking the common properties across all these varied forms of innovation
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