Don Gagnon

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IN MY ROOM I LOOKED AT MY SUITCASE SO CLEVERLY packed for this big trip the idea of which began all the previous winter in Florida reading Voltaire, Chateaubriand, de Montherlant
Don Gagnon
IN MY ROOM I LOOKED AT MY SUITCASE SO CLEVERLY packed for this big trip the idea of which began all the previous winter in Florida reading Voltaire, Chateaubriand, de Montherlant (whose latest book was even now displayed in the shop-windows of Paris, “The Man Who Travels Alone is a Devil”)—Studying maps, planning to walk all over, eat, find my ancestors’ home town in the Library and then go to Brittany where it was and where the sea undoubtedly washed the rocks—My plan being, after five days in Paris, go to that inn on the sea in Finistère and go out at midnight in raincoat, rain hat, with notebook and pencil and with large plastic bag to write inside of, i.e., stick hand, pencil and notebook into bag, and write dry, while rain falls on rest of me, write the sounds of the sea, part two of poem “Sea” to be entitled: “SEA, Part Two, the Sounds of the Atlantic at X, Brittany,” either at outside of Carnac, or Concarneau, or Pointe de Penmarch, or Douardenez, or Plouzaimedeau, or Brest, or St. Malo—There in my suitcase, the plastic bag, the two pencils, the extra leads, the notebook, the scarf, the sweater, the raincoat in the closet, and the warm shoes—
Satori in Paris & Pic
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