Camila Aristizábal

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Without a personal life or civil status, registered with the local cemetery, torn from the bosom of the family, of the church, of pleasure, dance, sex, friendship, and life itself; bound day and night by the purely physiological and physical exigencies of harsh labour, the zombie adds a fourth episode to the three classic scenarios of black history: brute idiots with backs bent to till the earth; oversized children to be evangelized; angry Black Power militants meant to be rehabilitated en masse. Within the frame of this ternary destiny governed by the basic barbaric/civilized binary, the ...more
Hadriana in All My Dreams
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