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power made its bearers act in inexplicable ways – no matter whether a captain or bossman or just a master,
was it possible that the mere fact of using one’s hands and investing one’s attention in someone other than oneself, created a pride and tenderness that had nothing whatever to do with the response of the object of one’s care – just as a craftsman’s love for his handiwork is in no way diminished by the fact of it being unreciprocated?
‘Always good to know where you stand in the world: never does a man any harm to know his place.’
How was it that no one had ever told her that it was not love itself, but its treacherous gatekeepers which made the greatest demands on your courage: the panic of acknowledging it; the terror of declaring it; the fear of being rebuffed? Why had no one told her that love’s twin was not hate but cowardice?