superstitions. In brief, what he saw in Christian ethics, under all the poetry and all the fine show of altruism and all the theoretical benefits therein, was a democratic effort to curb the egoism of the strong—a conspiracy of the chandala against the free functioning of their superiors, nay, against the free progress of mankind. This theory is the thing he exposes in “The Antichrist,” bringing to the business his amazingly chromatic and exigent eloquence at its finest flower. This is the “conspiracy” he sets forth in all the panoply of his characteristic italics, dashes, sforzando
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