The Hunger Games Trilogy

by Suzanne Collins

I can almost hear Haymitch groaning as I team up with this wispy child.

Destroying things is much easier than making them.”

In our world, I rank music somewhere between hair ribbons and rainbows in terms of usefulness. At least a rainbow gives you a tip about the weather.

There’s no way to take revenge on the Capitol. Is there? Then I remember Peeta’s words on the roof. “Only I keep wishing I could think of a way to . . . to show the Capitol they don’t own me. That I’m more than just a piece in their Games.” And for the first time, I understand what he means. I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a part of every tribute they can’t own. That Rue was more than a piece in their Games. And so am I.

I hear Gale saying, “How different can it be, really?” Amazingly similar in the execution. A bow pulled, an arrow shot. Entirely different in the aftermath. I killed a boy whose name I don’t even know. Somewhere his family is weeping for him. His friends call for my blood. Maybe he had a girlfriend who really believed he would come back. . .

He’s very hard to predict, which might be interesting under different circumstances, but at the moment only provides an extra obstacle.

I'm almost certain that Peeta feels the same about her

“Burn medicine,” I say almost sheepishly. “Oh, and some bread.” “I always knew you were his favorite,” says Peeta. “Please, he can’t stand being in the same room with me,” I say. “Because you’re just alike,” mutters Peeta.

I nod because I do understand. About owing. About hating it. I understand that if Thresh wins, he’ll have to go back and face a district that has already broken all the rules to thank me, and he is breaking the rules to thank me, too. And I understand that, for the moment, Thresh is not going to smash in my skull.

My mother’s hand strokes my cheek and I don’t push it away as I would in wakefulness, never wanting her to know how much I crave that gentle touch. How much I miss her even though I still don’t trust her.

“It’s like the bread. How I never seem to get over owing you for that,” I say. “The bread? What? From when we were kids?” he says. “I think we can let that go. I mean, you just brought me back from the dead.” “But you didn’t know me. We had never even spoken. Besides, it’s the first gift that’s always the hardest to pay back. I wouldn’t even have been here to do it if you hadn’t helped me then,” I say. “Why did you, anyway?” “Why? You know why,” Peeta says. I give my head a slight, painful shake. “Haymitch said you would take a lot of convincing.”

I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine. “That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it. “Then I’ll just have to fill in the blanks myself,” he says, and moves in to me. This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another.

As we settle in, he pulls my head down to use his arm as a pillow; the other rests protectively over me even when he goes to sleep. No one has held me like this in such a long time. Since my father died and I stopped trusting my mother, no one else’s arms have made me feel this safe.

It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.

“I guess Haymitch finally got tired of watching us starve.” “I guess so,” I answer. But in my head I can hear Haymitch’s smug, if slightly exasperated, words, “Yes, that’s what I’m looking for, sweetheart.”

I make myself eat the stew in tiny spoonfuls — they even sent us silverware and plates — savoring each bite.

Maysilee Donner

“So, since we were five, you never even noticed any other girls?” I ask him. “No, I noticed just about every girl, but none of them made a lasting impression but you,” he says.

A disturbing thought hits me. “But then, our only neighbor will be Haymitch!” “Ah, that’ll be nice,” says Peeta, tightening his arms around me. “You and me and Haymitch. Very cozy. Picnics, birthdays, long winter nights around the fire retelling old Hunger Games tales.” “I told you, he hates me!” I say, but I can’t help laughing at the image of Haymitch becoming my new pal. “Only sometimes. When he’s sober, I’ve never heard him say one negative thing about you,” says Peeta. “He’s never sober!” I protest. “That’s right. Who am I thinking of? Oh, I know. It’s Cinna who likes you. But that’s mainly because you didn’t try to run when he set you on fire,” says Peeta. “On the other hand, Haymitch . . . well, if I were you, I’d avoid Haymitch completely. He hates you.” “I thought you said I was his favorite,” I say. “He hates me more,” says Peeta. “I don’t think people in general are his sort of thing.”

It’s funny. Haymitch and I don’t get along well in person, but maybe Peeta is right about us being alike because he seems able to communicate with me by the timing of his gifts. Like how I knew I must be close to water when he withheld it and how I knew the sleep syrup just wasn’t something to ease Peeta’s pain and how I know now that I have to play up the romance. He hasn’t made much effort to connect with Peeta really. Perhaps he thinks a bowl of broth would just be a bowl of broth to Peeta, whereas I’ll see the strings attached to it.

“How do you think he did it?” “Who? Did what?” Peeta asks. “Haymitch. How do you think he won the Games?” I say. Peeta considers this quite a while before he answers. Haymitch is sturdily built, but no physical wonder like Cato or Thresh. He’s not particularly handsome. Not in the way that causes sponsors to rain gifts on you. And he’s so surly, it’s hard to imagine anyone teaming up with him. There’s only one way Haymitch could have won, and Peeta says it just as I’m reaching this conclusion myself. “He outsmarted the others,” says Peeta. I nod, then let the conversation drop. But secretly I’m wondering if Haymitch sobered up long enough to help Peeta and me because he thought we just might have the wits to survive. Maybe he wasn’t always a drunk. Maybe, in the beginning, he tried to help the tributes. But then it got unbearable. It must be hell to mentor two kids and then watch them die. Year after year after year.

Thresh dead. I should be happy, right? One less tribute to face. And a powerful one, too. But I’m not happy. All I can think about is Thresh letting me go, letting me run because of Rue, who died with that spear in her stomach. . . .

I give a noncommittal shrug and cup my elbows in my hands, hugging them close to my body. I have to bury the real pain because who’s going to bet on a tribute who keeps sniveling over the deaths of her opponents. Rue was one thing. We were allies. She was so young. But no one will understand my sorrow at Thresh’s murder.

I just need a few moments of privacy where I can let any emotion cross my face without being seen. Under the hood, I silently say good-bye to Thresh and thank him for my life. I promise to remember him and, if I can, do something to help his family and Rue’s, if I win.

Huh. I always assumed the shopkeepers live a soft life. And it’s true, Peeta has always had enough to eat. But there’s something kind of depressing about living your life on stale bread, the hard, dry loaves that no one else wanted. One thing about us, since I bring our food home on a daily basis, most of it is so fresh you have to make sure it isn’t going to make a run for it.

For the first time, I allow myself to truly think about the possibility that I might make it home. To fame. To wealth. To my own house in the Victor’s Village. My mother and Prim would live there with me. No more fear of hunger. A new kind of freedom.

Not gaining freedom but trading freedoms

I know I’ll never marry, never risk bringing a child into the world. Because if there’s one thing being a victor doesn’t guarantee, it’s your children’s safety. My kids’ names would go right into the reaping balls with everyone else’s. And I swear I’ll never let that happen. The sun eventually rises, its light slipping through the cracks and illuminating Peeta’s face.

But I’m not ready to forgive him. I notice the food. The rolls and apples are untouched, but someone’s definitely picked away part of the cheese. “And you ate without me!” I really don’t care, I just want something else to be mad about. “What? No, I didn’t,” Peeta says. “Oh, and I suppose the apples ate the cheese,” I say.

I pull the sleeping bag up to his chin and kiss his forehead, not for the audience, but for me. Because I’m so grateful that he’s still here, not dead by the stream as I’d thought.

My guess is if they had given us some sort of test, she would have been the smartest of all the tributes. If, in fact, we had been setting a trap for her, I bet she’d have sensed it and avoided the berries. It was Peeta’s own ignorance that brought her down. I’ve spent so much time making sure I don’t underestimate my opponents that I’ve forgotten it’s just as dangerous to overestimate them as well.

I open my mouth and sing out Rue’s four-note run. I can feel them pause curiously at the sound of my voice, listening for more. I repeat the notes in the silence. First one mockingjay trills the tune back, then another. Then the whole world comes alive with the sound. “Just like your father,” says Peeta. My fingers find the pin on my shirt. “That’s Rue’s song,” I say. “I think they remember it.”

Their eyes are the least of my worries. What about their brains? Have they been given any of the real tributes memories? Have they been programmed to hate our faces particularly because we have survived and they were so callously murdered? And the ones we actually killed . . . do they believe they’re avenging their own deaths?

I feel a flicker of hope before the agony of the night engulfs me again. Finally, I hear him whisper that the sun is rising. I open my eyes and find the stars fading in the pale light of dawn.

“Then we won, Katniss,” he says hollowly. “Hurray for us,” I get out, but there’s no joy of victory in my voice.

“No, you can’t kill yourself,” I say. I’m on my knees, desperately plastering the bandage back onto his wound. “Katniss,” he says. “It’s what I want.” “You’re not leaving me here alone,” I say. Because if he dies, I’ll never go home, not really. I’ll spend the rest of my life in this arena trying to think my way out.

Or do I hear a man’s voice yelling? Not in the Capitol accent, but in the rougher cadences of home. And I can’t help having a vague, comforting feeling that someone is looking out for me.

Maybe a victor should show more restraint, more superiority, especially when she knows this will be on tape, but I don’t care. I run for them and surprise even myself when I launch into Haymitch’s arms first. When he whispers in my ear, “Nice job, sweetheart,” it doesn’t sound sarcastic.

It’s funny, because even though they’re rattling on about the Games, it’s all about where they were or what they were doing or how they felt when a specific event occurred. “I was still in bed!” “I had just had my eyebrows dyed!” “I swear I nearly fainted!” Everything is about them, not the dying boys and girls in the arena.

My hands go to my chest and I frown. “I know,” says Cinna before I can object. “But the Gamemakers wanted to alter you surgically. Haymitch had a huge fight with them over it. This was the compromise.”

Peeta? No, it’s not about Peeta. It’s about the Capitol and the Gamemakers and the audience. Although I do not yet understand Cinna’s design, it’s a reminder the Games are not quite finished.

Funny, in the arena, when I poured out those berries, I was only thinking of outsmarting the Gamemakers, not how my actions would reflect on the Capitol. But the Hunger Games are their weapon and you are not supposed to be able to defeat it. So now the Capitol will act as if they’ve been in control the whole time. As if they orchestrated the whole event, right down to the double suicide. But that will only work if I play along with them.

We barely have time to say good-bye to Cinna and Portia, although we’ll see them in a few months, when we tour the districts for a round of victory ceremonies. It’s the Capitol’s way of reminding people that the Hunger Games never really go away. We’ll be given a lot of useless plaques, and everyone will have to pretend they love us.

I want to tell him that he’s not being fair. That we were strangers. That I did what it took to stay alive, to keep us both alive in the arena. That I can’t explain how things are with Gale because I don’t know myself. That it’s no good loving me because I’m never going to get married anyway and he’d just end up hating me later instead of sooner. That if I do have feelings for him, it doesn’t matter because I’ll never be able to afford the kind of love that leads to a family, to children. And how can he? How can he after what we’ve just been through? I also want to tell him how much I already miss him. But that wouldn’t be fair on my part.

If it were up to me, I would try to forget the Hunger Games entirely. Never speak of them. Pretend they were nothing but a bad dream. But the Victory Tour makes that impossible. Strategically placed almost midway between the annual Games, it is the Capitol’s way of keeping the horror fresh and immediate. Not only are we in the districts forced to remember the iron grip of the Capitol’s power each year, we are forced to celebrate it.

So no matter who Haymitch is, I owe him, too. And that’s for always. I’m getting the white liquor because a few weeks ago he ran out and there was none for sale and he had a withdrawal, shaking and screaming at terrifying things only he could see.

“I just can’t wait for the whole thing to be over,” I whisper. “I know,” says Greasy Sae. “But you’ve got to go through it to get to the end of it. Better not be late.”

I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thoughts of our time as contestants in the Hunger Games at bay.

All I was doing was trying to keep Peeta and myself alive. Any act of rebellion was purely coincidental. But when the Capitol decrees that only one tribute can live and you have the audacity to challenge it, I guess that’s a rebellion in itself.

“My advisors were concerned you would be difficult, but you’re not planning on being difficult, are you?” he asks. “No,” I answer. “That’s what I told them. I said any girl who goes to such lengths to preserve her life isn’t going to be interested in throwing it away with both hands. And then there’s her family to think of. Her mother, her sister, and all those . . . cousins.”

if a girl from District Twelve of all places can defy the Capitol and walk away unharmed, what is to stop them from doing the same?” he says. “What is to prevent, say, an uprising?”

“I didn’t mean to start any uprisings,” I tell him. “I believe you. It doesn’t matter. Your stylist turned out to be prophetic in his wardrobe choice. Katniss Everdeen, the girl who was on fire, you have provided a spark that, left unattended, may grow to an inferno that destroys Panem,” he says.

I think about how there was no going back after I took over caring for the family when I was eleven. How I will always have to protect her.