Jasmine Etterman

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In F. Scott Fitzgerald’s The Great Gatsby, Robert Penn Warren’s All the King’s Men, and Ford Madox Ford’s The Good Soldier, the narrators have a world-weary tone. It’s like they’re looking back on glorious past events when dreams were fresh and the world seemed new and the disappointments of life had not yet settled in. That voice sounds to me like writing done in the minor key, and I find it tremendously moving.
How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen
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