Heretics

by G.K. Chesterton

It is foolish, generally speaking, for a philosopher to set fire to another philosopher in Smithfield Market because they do not agree in their theory of the universe. That was done very frequently in the last decadence of the Middle Ages, and it failed altogether in its object. But there is one thing that is infinitely more absurd and unpractical than burning a man for his philosophy. This is the habit of saying that his philosophy does not matter, and this is done universally in the twentieth century, in the decadence of the great revolutionary period. General theories are everywhere contemned; the doctrine of the Rights of Man is dismissed with the doctrine of the Fall of Man. Atheism itself is too theological for us to-day. Revolution itself is too much of a system; liberty itself is too much of a restraint. We will have no generalizations. Mr. Bernard Shaw has put the view in a perfect epigram: "The golden rule is that there is no golden rule."

When the old Liberals removed the gags from all the heresies, their idea was that religious and philosophical discoveries might thus be made. Their view was that cosmic truth was so important that every one ought to bear independent testimony. The modern idea is that cosmic truth is so unimportant that it cannot matter what any one says. The former freed inquiry as men loose a noble hound; the latter frees inquiry as men fling back into the sea a fish unfit for eating. Never has there been so little discussion about the nature of men as now, when, for the first time, any one can discuss it. The old restriction meant that only the orthodox were allowed to discuss religion. Modern liberty means that nobody is allowed to discuss it. Good taste, the last and vilest of human superstitions, has succeeded in silencing us where all the rest have failed.

We think the question is not whether the theory of the cosmos affects matters, but whether in the long run, anything else affects them. In the fifteenth century men cross-examined and tormented a man because he preached some immoral attitude; in the nineteenth century we feted and flattered Oscar Wilde because he preached such an attitude, and then broke his heart in penal servitude because he carried it out. It may be a question which of the two methods was the more cruel; there can be no kind of question which was the more ludicrous. The age of the Inquisition has not at least the disgrace of having produced a society which made an idol of the very same man for preaching the very same things which it made him a convict for practising.

General ideals used to dominate literature. They have been driven out by the cry of "art for art's sake." General ideals used to dominate politics. They have been driven out by the cry of "efficiency," which may roughly be translated as "politics for politics' sake." Persistently for the last twenty years the ideals of order or liberty have dwindled in our books; the ambitions of wit and eloquence have dwindled in our parliaments. Literature has purposely become less political; politics have purposely become less literary. General theories of the relation of things have thus been extruded from both; and we are in a position to ask, "What have we gained or lost by this extrusion? Is literature better, is politics better, for having discarded the moralist and the philosopher?"

The theory of the unmorality of art has established itself firmly in the strictly artistic classes. They are free to produce anything they like. They are free to write a "Paradise Lost" in which Satan shall conquer God. They are free to write a "Divine Comedy" in which heaven shall be under the floor of hell. And what have they done? Have they produced in their universality anything grander or more beautiful than the things uttered by the fierce Ghibbeline Catholic, by the rigid Puritan schoolmaster? We know that they have produced only a few roundels. Milton does not merely beat them at his piety, he beats them at their own irreverence. In all their little books of verse you will not find a finer defiance of God than Satan's. Nor will you find the grandeur of paganism felt as that fiery Christian felt it who described Faranata lifting his head as in disdain of hell. And the reason is very obvious. Blasphemy is an artistic effect, because blasphemy depends upon a philosophical conviction. Blasphemy depends upon belief and is fading with it. If any one doubts this, let him sit down seriously and try to think blasphemous thoughts about Thor.

And having discovered that opportunism does fail, I have been induced to look at it more largely, and in consequence to see that it must fail. I perceive that it is far more practical to begin at the beginning and discuss theories. I see that the men who killed each other about the orthodoxy of the Homoousion were far more sensible than the people who are quarrelling about the Education Act. For the Christian dogmatists were trying to establish a reign of holiness, and trying to get defined, first of all, what was really holy. But our modern educationists are trying to bring about a religious liberty without attempting to settle what is religion or what is liberty. If the old priests forced a statement on mankind, at least they previously took some trouble to make it lucid. It has been left for the modern mobs of Anglicans and Nonconformists to persecute for a doctrine without even stating it.

I wish to deal with my most distinguished contemporaries, not personally or in a merely literary manner, but in relation to the real body of doctrine which they teach. I am not concerned with Mr. Rudyard Kipling as a vivid artist or a vigorous personality; I am concerned with him as a Heretic—that is to say, a man whose view of things has the hardihood to differ from mine. I am not concerned with Mr. Bernard Shaw as one of the most brilliant and one of the most honest men alive; I am concerned with him as a Heretic—that is to say, a man whose philosophy is quite solid, quite coherent, and quite wrong. I revert to the doctrinal methods of the thirteenth century, inspired by the general hope of getting something done.

A young man may keep himself from vice by continually thinking of disease. He may keep himself from it also by continually thinking of the Virgin Mary. There may be question about which method is the more reasonable, or even about which is the more efficient. But surely there can be no question about which is the more wholesome.

Strong and genuine religious sentiment has never had any objection to realism; on the contrary, religion was the realistic thing, the brutal thing, the thing that called names. This is the great difference between some recent developments of Nonconformity and the great Puritanism of the seventeenth century. It was the whole point of the Puritans that they cared nothing for decency. Modern Nonconformist newspapers distinguish themselves by suppressing precisely those nouns and adjectives which the founders of Nonconformity distinguished themselves by flinging at kings and queens.

A great silent collapse, an enormous unspoken disappointment, has in our time fallen on our Northern civilization. All previous ages have sweated and been crucified in an attempt to realize what is really the right life, what was really the good man. A definite part of the modern world has come beyond question to the conclusion that there is no answer to these questions, that the most that we can do is to set up a few notice-boards at places of obvious danger, to warn men, for instance, against drinking themselves to death, or ignoring the mere existence of their neighbours. Ibsen is the first to return from the baffled hunt to bring us the tidings of great failure. Every one of the popular modern phrases and ideals is a dodge in order to shirk the problem of what is good. We are fond of talking about "liberty"; that, as we talk of it, is a dodge to avoid discussing what is good. We are fond of talking about "progress"; that is a dodge to avoid discussing what is good. We are fond of talking about "education"; that is a dodge to avoid discussing what is good. The modern man says, "Let us leave all these arbitrary standards and embrace liberty." This is, logically rendered, "Let us not decide what is good, but let it be considered good not to decide it." He says, "Away with your old moral formulae; I am for progress." This, logically stated, means, "Let us not settle what is good; but let us settle whether we are getting more of it." He says, "Neither in religion nor morali...

Whether the future excellence lies in more law or less law, in more liberty or less liberty; whether property will be finally concentrated or finally cut up; whether sexual passion will reach its sanest in an almost virgin intellectualism or in a full animal freedom; whether we should love everybody with Tolstoy, or spare nobody with Nietzsche;—these are the things about which we are actually fighting most. It is not merely true that the age which has settled least what is progress is this "progressive" age. It is, moreover, true that the people who have settled least what is progress are the most "progressive" people in it. The ordinary mass, the men who have never troubled about progress, might be trusted perhaps to progress. The particular individuals who talk about progress would certainly fly to the four winds of heaven when the pistol-shot started the race.

Every thing is military in the sense that everything depends upon obedience. There is no perfectly epicurean corner; there is no perfectly irresponsible place. Everywhere men have made the way for us with sweat and submission. We may fling ourselves into a hammock in a fit of divine carelessness. But we are glad that the net-maker did not make the hammock in a fit of divine carelessness.

The moment we care for anything deeply, the world—that is, all the other miscellaneous interests—becomes our enemy. Christians showed it when they talked of keeping one's self "unspotted from the world;" but lovers talk of it just as much when they talk of the "world well lost." Astronomically speaking, I understand that England is situated on the world; similarly, I suppose that the Church was a part of the world, and even the lovers inhabitants of that orb. But they all felt a certain truth—the truth that the moment you love anything the world becomes your foe. Thus Mr. Kipling does certainly know the world; he is a man of the world, with all the narrowness that belongs to those imprisoned in that planet.

Moderns think of the earth as a globe, as something one can easily get round, the spirit of a schoolmistress. This is shown in the odd mistake perpetually made about Cecil Rhodes. His enemies say that he may have had large ideas, but he was a bad man. His friends say that he may have been a bad man, but he certainly had large ideas. The truth is that he was not a man essentially bad, he was a man of much geniality and many good intentions, but a man with singularly small views. There is nothing large about painting the map red; it is an innocent game for children. It is just as easy to think in continents as to think in cobble-stones. The difficulty comes in when we seek to know the substance of either of them.

The truth is, that all genuine appreciation rests on a certain mystery of humility and almost of darkness. The man who said, "Blessed is he that expecteth nothing, for he shall not be disappointed," put the eulogy quite inadequately and even falsely. The truth "Blessed is he that expecteth nothing, for he shall be gloriously surprised." The man who expects nothing sees redder roses than common men can see, and greener grass, and a more startling sun. Blessed is he that expecteth nothing, for he shall possess the cities and the mountains; blessed is the meek, for he shall inherit the earth. Until we realize that things might not be we cannot realize that things are. Until we see the background of darkness we cannot admire the light as a single and created thing. As soon as we have seen that darkness, all light is lightening, sudden, blinding, and divine. Until we picture nonentity we underrate the victory of God, and can realize none of the trophies of His ancient war. It is one of the million wild jests of truth that we know nothing until we know nothing.

In the course of "The New Utopia" Mr. Wells makes more than one admiring allusion to Mr. W. E. Henley. That clever and unhappy man lived in admiration of a vague violence, and was always going back to rude old tales and rude old ballads, to strong and primitive literatures, to find the praise of strength and the justification of tyranny. But he could not find it. It is not there. The primitive literature is shown in the tale of Jack the Giant-Killer. The strong old literature is all in praise of the weak. The rude old tales are as tender to minorities as any modern political idealist. The rude old ballads are as sentimentally concerned for the under-dog as the Aborigines Protection Society. When men were tough and raw, when they lived amid hard knocks and hard laws, when they knew what fighting really was, they had only two kinds of songs. The first was a rejoicing that the weak had conquered the strong, the second a lamentation that the strong had, for once in a way, conquered the weak. For this defiance of the statu quo, this constant effort to alter the existing balance, this premature challenge to the powerful, is the whole nature and inmost secret of the psychological adventure which is called man. It is his strength to disdain strength. The forlorn hope is not only a real hope, it is the only real hope of mankind.

Ritual is really much older than thought; it is much simpler and much wilder than thought. A feeling touching the nature of things does not only make men feel that there are certain proper things to say; it makes them feel that there are certain proper things to do. The more agreeable of these consist of dancing, building temples, and shouting very loud; the less agreeable, of wearing green carnations and burning other philosophers alive. But everywhere the religious dance came before the religious hymn, and man was a ritualist before he could speak. If Comtism had spread the world would have been converted, not by the Comtist philosophy, but by the Comtist calendar. By discouraging what they conceive to be the weakness of their master, the English Positivists have broken the strength of their religion. A man who has faith must be prepared not only to be a martyr, but to be a fool. It is absurd to say that a man is ready to toil and die for his convictions when he is not even ready to wear a wreath round his head for them. I myself, to take a corpus vile, am very certain that I would not read the works of Comte through for any consideration whatever. But I can easily imagine myself with the greatest enthusiasm lighting a bonfire on Darwin Day.

Of course, the real objection which a philosophical Christian would bring against the religion of Omar, is not that he gives no place to God, it is that he gives too much place to God. His is that terrible theism which can imagine nothing else but deity, and which denies altogether the outlines of human personality and human will. "The ball no question makes of Ayes or Noes, But Here or There as strikes the Player goes; And He that tossed you down into the field, He knows about it all—he knows—he knows." A Christian thinker such as Augustine or Dante would object to this because it ignores free-will, which is the valour and dignity of the soul. The quarrel of the highest Christianity with this scepticism is not in the least that the scepticism denies the existence of God; it is that it denies the existence of man.

The great misfortune of the modern English is not at all that they are more boastful than other people (they are not); it is that they are boastful about those particular things which nobody can boast of without losing them. A Frenchman can be proud of being bold and logical, and still remain bold and logical. A German can be proud of being reflective and orderly, and still remain reflective and orderly. But an Englishman cannot be proud of being simple and direct, and still remain simple and direct. In the matter of these strange virtues, to know them is to kill them. A man may be conscious of being heroic or conscious of being divine, but he cannot (in spite of all the Anglo-Saxon poets) be conscious of being unconscious.

They would make us simple in the things that do not matter—that is, in diet, in costume, in etiquette, in economic system. But they would make us complex in the things that do matter—in philosophy, in loyalty, in spiritual acceptance, and spiritual rejection. It does not so very much matter whether a man eats a grilled tomato or a plain tomato; it does very much matter whether he eats a plain tomato with a grilled mind. The only kind of simplicity worth preserving is the simplicity of the heart, the simplicity which accepts and enjoys. There may be a reasonable doubt as to what system preserves this; there can surely be no doubt that a system of simplicity destroys it.

A permanent disadvantage of the study of folk-lore and kindred subjects is that the man of science can hardly be in the nature of things very frequently a man of the world. He is a student of nature; he is scarcely ever a student of human nature. And even where this difficulty is overcome, and he is in some sense a student of human nature, this is only a very faint beginning of the painful progress towards being human. For the study of primitive race and religion stands apart in one important respect from all, or nearly all, the ordinary scientific studies. A man can understand astronomy only by being an astronomer; he can understand entomology only by being an entomologist (or, perhaps, an insect); but he can understand a great deal of anthropology merely by being a man. He is himself the animal which he studies. Hence arises the fact which strikes the eye everywhere in the records of ethnology and folk-lore—the fact that the same frigid and detached spirit which leads to success in the study of astronomy or botany leads to disaster in the study of mythology or human origins. It is necessary to cease to be a man in order to do justice to a microbe; it is not necessary to cease to be a man in order to do justice to men.

The secret of why some savage tribe worships monkeys or the moon is not to be found even by travelling among those savages and taking down their answers in a note-book, although the cleverest man may pursue this course. The answer to the riddle is in England; it is in London; nay, it is in his own heart. When a man has discovered why men in Bond Street wear black hats he will at the same moment have discovered why men in Timbuctoo wear red feathers. The mystery in the heart of some savage war-dance should not be studied in books of scientific travel; it should be studied at a subscription ball. If a man desires to find out the origins of religions, let him not go to the Sandwich Islands; let him go to church. If a man wishes to know the origin of human society, to know what society, philosophically speaking, really is, let him not go into the British Museum; let him go into society.

The anecdotal story, the story of William Tell, is as I have said, popular, because it is peculiar. But this kind of story, the story of Samson and Delilah of Arthur and Guinevere, is obviously popular because it is not peculiar. It is popular as good, quiet fiction is popular, because it tells the truth about people. If the ruin of Samson by a woman, and the ruin of Hercules by a woman, have a common legendary origin, it is gratifying to know that we can also explain, as a fable, the ruin of Nelson by a woman and the ruin of Parnell by a woman. And, indeed, I have no doubt whatever that, some centuries hence, the students of folk-lore will refuse altogether to believe that Elizabeth Barrett eloped with Robert Browning, and will prove their point up to the hilt by the unquestionable fact that the whole fiction of the period was full of such elopements from end to end.

Of the New Paganism (or neo-Paganism), as it was preached flamboyantly by Mr. Swinburne or delicately by Walter Pater, there is no necessity to take any very grave account, except as a thing which left behind it incomparable exercises in the English language. The New Paganism is no longer new, and it never at any time bore the smallest resemblance to Paganism. The ideas about the ancient civilization which it has left loose in the public mind are certainly extraordinary enough. The term "pagan" is continually used in fiction and light literature as meaning a man without any religion, whereas a pagan was generally a man with about half a dozen. The pagans, according to this notion, were continually crowning themselves with flowers and dancing about in an irresponsible state, whereas, if there were two things that the best pagan civilization did honestly believe in, they were a rather too rigid dignity and a much too rigid responsibility. Pagans are depicted as above all things inebriate and lawless, whereas they were above all things reasonable and respectable. They are praised as disobedient when they had only one great virtue—civic obedience. They are envied and admired as shamelessly happy when they had only one great sin—despair.

The primary fact about Christianity and Paganism is that one came after the other. Mr. Lowes Dickinson speaks of them as if they were parallel ideals—even speaks as if Paganism were the newer of the two, and the more fitted for a new age. He suggests that the Pagan ideal will be the ultimate good of man; but if that is so, we must at least ask with more curiosity than he allows for, why it was that man actually found his ultimate good on earth under the stars, and threw it away again. It is this extraordinary enigma to which I propose to attempt an answer. There is only one thing in the modern world that has been face to face with Paganism; there is only one thing in the modern world which in that sense knows anything about Paganism: and that is Christianity. That fact is really the weak point in the whole of that hedonistic neo-Paganism of which I have spoken. All that genuinely remains of the ancient hymns or the ancient dances of Europe, all that has honestly come to us from the festivals of Phoebus or Pan, is to be found in the festivals of the Christian Church. If any one wants to hold the end of a chain which really goes back to the heathen mysteries, he had better take hold of a festoon of flowers at Easter or a string of sausages at Christmas.

The pagan, or rational, virtues are such things as justice and temperance, and Christianity has adopted them. The three mystical virtues which Christianity has not adopted, but invented, are faith, hope, and charity. Now much easy and foolish Christian rhetoric could easily be poured out upon those three words, but I desire to confine myself to the two facts which are evident about them. The first evident fact (in marked contrast to the delusion of the dancing pagan)—the first evident fact, I say, is that the pagan virtues, such as justice and temperance, are the sad virtues, and that the mystical virtues of faith, hope, and charity are the gay and exuberant virtues. And the second evident fact, which is even more evident, is the fact that the pagan virtues are the reasonable virtues, and that the Christian virtues of faith, hope, and charity are in their essence as unreasonable as they can be.

It is true that there is a thing crudely called charity, which means charity to the deserving poor; but charity to the deserving is not charity at all, but justice. It is the undeserving who require it, and the ideal either does not exist at all, or exists wholly for them. For practical purposes it is at the hopeless moment that we require the hopeful man, and the virtue either does not exist at all, or begins to exist at that moment. Exactly at the instant when hope ceases to be reasonable it begins to be useful. Now the old pagan world went perfectly straightforward until it discovered that going straightforward is an enormous mistake. It was nobly and beautifully reasonable, and discovered in its death-pang this lasting and valuable truth, a heritage for the ages, that reasonableness will not do. The pagan age was truly an Eden or golden age, in this essential sense, that it is not to be recovered. And it is not to be recovered in this sense again that, while we are certainly jollier than the pagans, and much more right than the pagans, there is not one of us who can, by the utmost stretch of energy, be so sensible as the pagans.

The great psychological discovery of Paganism, which turned it into Christianity, can be expressed with some accuracy in one phrase. The pagan set out, with admirable sense, to enjoy himself. By the end of his civilization he had discovered that a man cannot enjoy himself and continue to enjoy anything else. Mr. Lowes Dickinson has pointed out in words too excellent to need any further elucidation, the absurd shallowness of those who imagine that the pagan enjoyed himself only in a materialistic sense. Of course, he enjoyed himself, not only intellectually even, he enjoyed himself morally, he enjoyed himself spiritually. But it was himself that he was enjoying; on the face of it, a very natural thing to do. Now, the psychological discovery is merely this, that whereas it had been supposed that the fullest possible enjoyment is to be found by extending our ego to infinity, the truth is that the fullest possible enjoyment is to be found by reducing our ego to zero.

It may be worth while, however, to point out the interesting disparity in the matter of humility between the modern notion of the strong man and the actual records of strong men. Carlyle objected to the statement that no man could be a hero to his valet. Every sympathy can be extended towards him in the matter if he merely or mainly meant that the phrase was a disparagement of hero-worship. Hero-worship is certainly a generous and human impulse; the hero may be faulty, but the worship can hardly be. It may be that no man would be a hero to his valet. But any man would be a valet to his hero. But in truth both the proverb itself and Carlyle's stricture upon it ignore the most essential matter at issue. The ultimate psychological truth is not that no man is a hero to his valet. The ultimate psychological truth, the foundation of Christianity, is that no man is a hero to himself. Cromwell, according to Carlyle, was a strong man. According to Cromwell, he was a weak one.

My objection to Mr. Lowes Dickinson and the reassertors of the pagan ideal is, then, this. I accuse them of ignoring definite human discoveries in the moral world, discoveries as definite, though not as material, as the discovery of the circulation of the blood. We cannot go back to an ideal of reason and sanity. For mankind has discovered that reason does not lead to sanity. We cannot go back to an ideal of pride and enjoyment. For mankind has discovered that pride does not lead to enjoyment. I do not know by what extraordinary mental accident modern writers so constantly connect the idea of progress with the idea of independent thinking. Progress is obviously the antithesis of independent thinking. For under independent or individualistic thinking, every man starts at the beginning, and goes, in all probability, just as far as his father before him. But if there really be anything of the nature of progress, it must mean, above all things, the careful study and assumption of the whole of the past.