Audrey Phillips

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But how long, Oedipa thought, could it go on before collisions became a serious hindrance? There would have to be collisions. The only alternative was some unthinkable order of music, many rhythms, all keys at once, a choreography in which each couple meshed easy, predestined. Something they all heard with an extra sense atrophied in herself. She followed her partner’s lead, limp in the young mute’s clasp, waiting for the collisions to begin. But none came. She was danced for half an hour before, by mysterious consensus, everybody took a break, without having felt any touch but the touch of ...more
The Crying of Lot 49
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