Audrey Phillips

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Metzger, taking her hand as if to shake on the bet and kissing its palm instead, sending the dry end of his tongue to graze briefly among her fate’s furrows, the changeless salt hatchings of her identity. She wondered then if this were really happening in the same way as, say, her first time in bed with Pierce, the dead man. But then the movie came back.
The Crying of Lot 49
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