In the aggregate, these ‘breakthrough’ stories sell the idea that science—and indeed the whole empirical world view—is only about tenuous, new, hotly contested data and spectacular breakthroughs. This reinforces one of the key humanities graduates’ parodies of science: as well as being irrelevant boffinry, science is temporary, changeable, constantly revising itself, like a transient fad. Scientific findings, the argument goes, are therefore dismissible.
