“Steph D’Arezzo, talent manager,” she said briskly. “Nice to meet you.” Steph. Steph. The name swam hazily to the surface of my memories. “You’re Nolan Shaw’s manager,” I said. Before I got sick at UnFestival and had to be recast, the former bad boy of pop Nolan Shaw was going to be my costar in Duke the Halls.
