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“You need to get better,” she whispered. “I don’t know where I’ll be if you don’t.” And then, so softly that he barely heard her: “I think you might be my touchstone.”
But he was glad she was here. He had a feeling she might be his touchstone, too.
People saw what they expected to see. It was one of the most basic truisms of life.
The Smythe-Smith musicale. It finished off what the Crusades had begun. There wasn’t a man alive who could maintain a romantic thought when faced with the memory—or the threat—of a Smythe-Smith musicale.
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