The Hunting of the Snark an Agony, in Eight Fits

by Lewis Carroll

PREFACE. If—and the thing is wildly possible—the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p. 18) “Then the bowsprit got mixed with the rudder sometimes.” In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History—I will take the more prosaic course of simply explaining how it happened. The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it—he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand—so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes: he knew it was all wrong, but alas! Rule 42 of the Code, “No one shall speak to the Man at the Helm,” had been completed by the Bellman himself with the words “and the Man at the Helm sh...

LOL ...

This also seems a fitting occasion to notice the other hard words in that poem. Humpty-Dumpty’s theory, of two meanings packed into one word like a portmanteau, seems to me the right explanation for all. For instance, take the two words “fuming” and “furious.” Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards “fuming,” you will say “fuming-furious;” if they turn, by even a hair’s breadth, towards “furious,” you will say “furious-fuming;” but if you have that rarest of gifts, a perfectly balanced mind, you will say “frumious.” Supposing that, when Pistol uttered the well-known words— “Under which king, Bezonian? Speak or die!” Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out “Rilchiam!”

Then a scream, shrill and high, rent the shuddering sky, And they knew that some danger was near: The Beaver turned pale to the tip of its tail, And even the Butcher felt queer. He thought of his childhood, left far far behind— That blissful and innocent state— The sound so exactly recalled to his mind A pencil that squeaks on a slate! “’Tis the voice of the Jubjub!” he suddenly cried. (This man, that they used to call “Dunce.”) “As the Bellman would tell you,” he added with pride, “I have uttered that sentiment once. “’Tis the note of the Jubjub! Keep count, I entreat; You will find I have told it you twice. ’Tis the song of the Jubjub! The proof is complete, If only I’ve stated it thrice.” The Beaver had counted with scrupulous care, Attending to every word: But it fairly lost heart, and outgrabe in despair, When the third repetition occurred. It felt that, in spite of all possible pains, It had somehow contrived to lose count, And the only thing now was to rack its poor brains By reckoning up the amount. “Two added to one—if that could but be done,” It said, “with one’s fingers and thumbs!” Recollecting with tears how, in earlier years, It had taken no pains with its sums. “The thing can be done,” said the Butcher, “I think. The thing must be done, I am sure. The thing shall be done! Bring me paper and ink, The best there is time to procure.” the Butcher does sums The Beaver brought paper, portfolio, pens, And ink in unfailing supplies: While strange creepy creatures ca...

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Then a scream, shrill and high, rent the shuddering sky, And they knew that some danger was near: The Beaver turned pale to the tip of its tail, And even the Butcher felt queer. He thought of his childhood, left far far behind— That blissful and innocent state— The sound so exactly recalled to his mind A pencil that squeaks on a slate! “’Tis the voice of the Jubjub!” he suddenly cried. (This man, that they used to call “Dunce.”) “As the Bellman would tell you,” he added with pride, “I have uttered that sentiment once. “’Tis the note of the Jubjub! Keep count, I entreat; You will find I have told it you twice. ’Tis the song of the Jubjub! The proof is complete, If only I’ve stated it thrice.” The Beaver had counted with scrupulous care, Attending to every word: But it fairly lost heart, and outgrabe in despair, When the third repetition occurred. It felt that, in spite of all possible pains, It had somehow contrived to lose count, And the only thing now was to rack its poor brains By reckoning up the amount. “Two added to one—if that could but be done,” It said, “with one’s fingers and thumbs!” Recollecting with tears how, in earlier years, It had taken no pains with its sums. “The thing can be done,” said the Butcher, “I think. The thing must be done, I am sure. The thing shall be done! Bring me paper and ink, The best there is time to procure.” the Butcher does sums The Beaver brought paper, portfolio, pens, And ink in unfailing supplies: While strange creepy creatures ca...

LOL again .... !

“It’s a Snark!” was the sound that first came to their ears, And seemed almost too good to be true. Then followed a torrent of laughter and cheers: Then the ominous words “It’s a Boo–” Then, silence. Some fancied they heard in the air A weary and wandering sigh That sounded like “–jum!” but the others declare It was only a breeze that went by. a face in the underbrush They hunted till darkness came on, but they found Not a button, or feather, or mark, By which they could tell that they stood on the ground Where the Baker had met with the Snark. In the midst of the word he was trying to say, In the midst of his laughter and glee, He had softly and suddenly vanished away— For the Snark was a Boojum, you see. THE END.

Funny, sily, cute. Looks like a line or two cut off in the middle of the last verse? Not sure.