The Optimist's Daughter

by Eudora Welty

When Laurel was a child, in this room and in this bed where she lay now, she closed her eyes like this and the rhythmic, nighttime sound of the two beloved reading voices came rising in turn up the stairs every night to reach her. She could hardly fall asleep, she tried to keep awake, for pleasure. She cared for her own books, but she cared more for theirs, which meant their voices. In the lateness of the night, their two voices reading to each other where she could hear them, never letting a silence divide or interrupt them, combined into one unceasing voice and wrapped her around as she listened, as still as if she were asleep. She was sent to sleep under a velvety cloak of words, richly patterned and stitched with gold, straight out of a fairy tale, while they went reading on into her dreams.

The mystery in how little we know of other people is no greater than the mystery of how much, Laurel thought.

Memory returned like spring, Laurel thought. Memory had the character of spring. In some cases, it was the old wood that did the blooming.

Even if you have kept silent for the sake of the dead, you cannot rest in your silence, as the dead rest.

What burdens we lay on the dying, Laurel thought, as she listened now to the accelerated rain on the roof: seeking to prove some little thing that we can keep to comfort us when they can no longer feel—something as incapable of being kept as of being proved: the lastingness of memory, vigilance against harm, self-reliance, good hope, trust in one another.

That was when he started, of course, being what he scowlingly called an optimist; he might have dredged the word up out of his childhood. He loved his wife. Whatever she did that she couldn’t help doing was all right. Whatever she was driven to say was all right. But it was not all right! Her trouble was that very desperation. And no one had the power to cause that except the one she desperately loved, who refused to consider that she was desperate. It was betrayal on betrayal.

Fay had once at least called Becky “my rival.” Laurel thought: But the rivalry doesn’t lie where Fay thinks. It’s not between the living and the dead, between the old wife and the new; it’s between too much love and too little. There is no rivalry as bitter; Laurel had seen its work.

And they themselves were a part of the confluence. Their own joint act of faith had brought them here at the very moment and matched its occurrence, and proceeded as it proceeded. Direction itself was made beautiful, momentous.

For her life, any life, she had to believe, was nothing but the continuity of its love.

But the guilt of outliving those you love is justly to be borne, she thought. Outliving is something we do to them. The fantasies of dying could be no stranger than the fantasies of living. Surviving is perhaps the strangest fantasy of them all.

Memory lived not in initial possession but in the freed hands, pardoned and freed, and in the heart that can empty but fill again, in the patterns restored by dreams.