The Romantic Manifesto (Signet Shakespeare)

by Ayn Rand

This does not mean that art is a substitute for philosophical thought: without a conceptual theory of ethics, an artist would not be able successfully to concretize an image of the ideal. But without the assistance of art, ethics remains in the position of theoretical engineering: art is the model-builder. Many readers of The Fountainhead have told me that the character of Howard Roark helped them to make a decision when they faced a moral dilemma. They asked themselves: “What would Roark do in this situation?”—and, faster than their mind could identify the proper application of all the complex principles involved, the image of Roark gave them the answer. They sensed, almost instantly, what he would or would not do—and this helped them to isolate and to identify the reasons, the moral principles that would have guided him. Such is the psycho-epistemological function of a personified (concretized) human ideal. It is important to stress, however, that even though moral values are inextricably involved in art, they are involved only as a consequence, not as a causal determinant: the primary focus of art is metaphysical, not ethical. Art is not the “handmaiden” of morality, its basic purpose is not to educate, to reform or to advocate anything. The concretization of a moral ideal is not a textbook on how to become one. The basic purpose of art is not to teach, but to show—to hold up to man a concretized image of his nature and his place in the universe. Any metaphysical issue ...