meetings for her next assignment, Letty Lynton, “which was even more of a smash for me, personally. It was a hell of a story and script and had a character I could really come to grips with. If there is ever a Joan Crawford retrospective, I hope they show this one.” Her enthusiasm, if not the quality of the final production, was justified, and those who knew her that year acknowledged the intensity of her efforts and the quality of the result. Robert Montgomery, assigned to his third film with
