The Razor's Edge
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Read between November 19 - November 21, 2021
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He says nothing much escapes you, but that your great asset as a writer is your common sense.” “I can think of a quality that would be more valuable,” I answered dryly. “Talent, for instance.”
Mike liked this
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“Do you know, I’ve got an idea that I want to do more with my life than sell bonds.”
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And all the interesting people don’t live in the neighborhood of the Arc de Triomphe and the Avenue Foch. In fact few interesting people do, because interesting people generally don’t have a lot of money.
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“If you loved me you wouldn’t make me so unhappy.” “I do love you. Unfortunately sometimes one can’t do what one thinks is right without making someone else unhappy.”
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I don’t know how it occurred to me, but I got the idea somehow that he’d taken on that hard, brutal labor of the mine to mortify his flesh. I thought he hated that great, uncouth body of his and wanted to torture it, and that his cheating and his bitterness and his cruelty were the revolt of his will against—oh, I don’t know what you’d call it—against a deep-rooted instinct of holiness, against a desire for God that terrified and yet obsessed him.
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He took long rides in those solitary, mysterious woods; they’re like the woods in a play of Maeterlinck’s, so gray, so silent, it’s almost uncanny; and there’s a moment in spring—it hardly lasts more than a fortnight—when the dogwood bursts into flower, and the gum trees burst into leaf, and their young fresh green against the gray Spanish moss is like a song of joy; the ground is carpeted with great white lilies and wild azalea. Gray couldn’t say what it meant to him, but it meant the world. He was drunk with the loveliness of it. Oh, I know I don’t put it well, but I can’t tell you how ...more
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Passion doesn’t count the cost. Pascal said that the heart has its reasons that reason takes no account of. If he meant what I think, he meant that when passion seizes the heart it invents reasons that seem not only plausible but conclusive to prove that the world is well lost for love. It convinces you that honor is well sacrificed and that shame is a cheap price to pay. Passion is destructive. It destroyed Antony and Cleopatra, Tristan and Isolde, Parnell and Kitty O’Shea. And if it doesn’t destroy it dies. It may be then that one is faced with the desolation of knowing that one has wasted ...more
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If the rose at noon has lost the beauty it had at dawn, the beauty it had then was real. Nothing in the world is permanent, and we’re foolish when we ask anything to last, but surely we’re still more foolish not to take delight in it while we have it.