He was still unwilling to accept such painters as Picasso and Braque—“horrors, my dear fellows, horrors”—whom certain misguided enthusiasts were making such a fuss about, but felt himself at long last justified in extending his patronage to the Impressionists and so adorned his walls with some very pretty pictures. I remember a Monet of people rowing on a river, a Pissaro of a quay and a bridge on the Seine, a Tahitian landscape by Gauguin, and a charming Renoir of a young girl in profile with long yellow hair hanging down her back. His house when finished was fresh and gay, unusual, and
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