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The critic Thomas Wilkes brought a similar dose of stolid English common sense to bear: 'The absurdity of managing the commonest matters of life by way of sing-song is glaring,' he wrote in his General View of the Stage. 'Who is there, in his right wits, that ever sung out his commands to his servants? or imparted, in that manner, a secret to his friend?'
The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte--Mozart's Poet, Casanova's Friend, and Italian Opera's Impre
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