From the Bookshelf of Classics Without All the Class…

"...She had not heard my entrance into the room; and I allowed myself the luxury of admiring her for a few moments, before I moved one of the chairs near me, as the least embarrassing means of attracting her attention. She turned towards me immediately. The easy elegance of every movement of her limbs and body as soon as she began to advance from the far end of the room, set me in a flutter of expectation to see her face clearly. She left the window—and I said to myself, The lady is dark. She moved forward a few steps—and I said to myself, The lady is young. She approached nearer—and I said to myself (with a sense of surprise which words fail me to express), The lady is ugly!"

"...His feet were effeminately small, and were clad in buff-coloured silk stockings, and little womanish bronze-leather slippers. Two rings adorned his white delicate hands, the value of which even my inexperienced observation detected to be all but priceless. Upon the whole, he had a frail, languidly-fretful, over-refined look—something singularly and unpleasantly delicate in its association with a man, and, at the same time, something which could by no possibility have looked natural and appropriate if it had been transferred to the personal appearance of a woman. My morning's experience of Miss Halcombe had predisposed me to be pleased with everybody in the house; but my sympathies shut themselves up resolutely at the first sight of Mr. Fairlie."

"So much the better!" I cried out passionately. "Who cares for his causes of complaint? Are you to break your heart to set his mind at ease? No man under heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace—they drag us away from our parents' love and our sisters' friendship—they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel. And what does the best of them give us in return? Let me go, Laura—I'm mad when I think of it!"

The tears—miserable, weak, women's tears of vexation and rage—started to my eyes. She smiled sadly, and put her handkerchief over my face to hide for me the betrayal of my own weakness—the weakness of all others which she knew that I most despised."

"I went out. If, as soon as I got into the passage, I could have transported Mr. Fairlie and Sir Percival Glyde to the uttermost ends of the earth by lifting one of my fingers, that finger would have been raised without an instant's hesitation. For once my unhappy temper now stood my friend. I should have broken down altogether and burst into a violent fit of crying, if my tears had not been all burnt up in the heat of my anger. As it was, I dashed into Mr. Fairlie's room—called to him as harshly as possible, "Laura consents to the twenty-second"—and dashed out again without waiting for a word of answer. I banged the door after me, and I hope I shattered Mr. Fairlie's nervous system for the rest of the day. "

" I was obliged to tell her that no man tolerates a rival—not even a woman rival—in his wife's affections, when he first marries, whatever he may do afterwards. I was obliged to warn her that my chance of living with her permanently under her own roof, depended entirely on my not arousing Sir Percival's jealousy and distrust by standing between them at the beginning of their marriage, in the position of the chosen depositary of his wife's closest secrets."

"Laura has preserved, far more perfectly than most people do in later life, the child's subtle faculty of knowing a friend by instinct, and if I am right in assuming that her first impression of Count Fosco has not been favourable, I for one am in some danger of doubting and distrusting that illustrious foreigner before I have so much as set eyes on him."

"...I was terribly afraid, from what I had heard of Blackwater Park, of fatiguing antique chairs, and dismal stained glass, and musty, frouzy hangings, and all the barbarous lumber which people born without a sense of comfort accumulate about them, in defiance of the consideration due to the convenience of their friends. It is an inexpressible relief to find that the nineteenth century has invaded this strange future home of mine, and has swept the dirty "good old times" out of the way of our daily life.

"I wait to be instructed," replied the Countess, in tones of freezing reproof, intended for Laura and me, "before I venture on giving my opinion in the presence of well-informed men."

"Do you, indeed?" I said. "I remember the time, Countess, when you advocated the Rights of Women, and freedom of female opinion was one of them."

"What is your view of the subject, Count?" asked Madame Fosco, calmly proceeding with her cigarettes, and not taking the least notice of me.

"It is truly wonderful," he said, "how easily Society can console itself for the worst of its shortcomings with a little bit of clap-trap. The machinery it has set up for the detection of crime is miserably ineffective—and yet only invent a moral epigram, saying that it works well, and you blind everybody to its blunders from that moment..."

"...When John-Howard-Philanthropist wants to relieve misery he goes to find it in prisons, where crime is wretched—not in huts and hovels, where virtue is wretched too. Who is the English poet who has won the most universal sympathy—who makes the easiest of all subjects for pathetic writing and pathetic painting? That nice young person who began life with a forgery, and ended it by a suicide—your dear, romantic, interesting Chatterton...
...Come here, my jolly little Mouse! Hey! presto! pass! I transform you, for the time being, into a respectable lady. Stop there, in the palm of my great big hand, my dear, and listen. You marry the poor man whom you love, Mouse, and one half your friends pity, and the other half blame you. And now, on the contrary, you sell yourself for gold to a man you don't care for, and all your friends rejoice over you, and a minister of public worship sanctions the base horror of the vilest of all human bargains, and smiles and smirks afterwards at your table, if you are polite enough to ask him to breakfast...
...I say what other people only think, and when all the rest of the world is in a conspiracy to accept the mask for the true face, mine is the rash hand that tears off the plump pasteboard, and shows the bare bones beneath."

"...Am I trifling, here, with the necessities of my task? am I looking forward to the happier time which my narrative has not yet reached? Yes. Back again—back to the days of doubt and dread, when the spirit within me struggled hard for its life, in the icy stillness of perpetual suspense. I have paused and rested for a while on my forward course. It is not, perhaps, time wasted, if the friends who read these pages have paused and rested too."

"...I passed through the clean desolation, the neat ugliness, the prim torpor of the streets of Welmingham. And the tradesmen who stared after me from their lonely shops—the trees that drooped helpless in their arid exile of unfinished crescents and squares—the dead house-carcasses that waited in vain for the vivifying human element to animate them with the breath of life—every creature that I saw, every object that I passed, seemed to answer with one accord: The deserts of Arabia are innocent of our civilised desolation—the ruins of Palestine are incapable of our modern gloom!