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I pretty much agree with the general consensus that Leonard is a master of the crime genre and of storytelling in general. His books manage to be perfectly unadorned by stylistic flashiness and yet chock full of compelling characters and sparkling dialogue. That said, this book has to rank as one of his less successful ones -- either that, or just hasn't aged very well. It's preoccupations -- guns and video voyeurism -- are both completely of the time it was written (1981) and still relevant tod
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