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The trajectory of writer David Corbett's novel writing career is pretty breathtaking. If he'd been content to write pulpish crime novels like his first effort, The Devil's Redhead, (which is very good) he would have carved a niche, probably not unlike James Ellroy's. Violent, edgy, contemporary, great dialogue, "Redhead" had it all. But his second novel, Done on a Dime, you saw the writer stretching himself. It's an uneven read, due to plotting more than anything else. But what stands out in Cor
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