Kafka on the Shore in Reading with Style

Jan 04, 2021 Bucket rated it it was amazing

Shelves: life-and-death, identity, parents-affecting-children, reviewed, psychology, world-lit, 1001-read-all-editions, literary, love, experimental

What a way to start the new year! I love when I find a hidden (from me, at least) gem in my endlessly long TBR list, and this is one of those.

This novel has everything I tend to love most - wonderful characters, thought-provoking scenes with strong sense-of-place, a lot of metaphors and connections but in a messy way that allows for reflection and interpretation, magical realism. I particularly enjoyed the mirroring that happens throughout the novel. An experience of one character will mirror a ...more

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Sep 18, 2011 Athira (Reading on a Rainy Day) rated it really liked it · review of another edition

Shelves: source-library, fiction, 2011, format-print, f-literary, f-fantasy-scifi

Haruki Murakami's Kafka on the Shore primarily follows fifteen-year old solitary Kafka Tamura, who runs away from home because he can no longer stand the presence of his malevolent father. His father had prophesied that Kafka would fulfill the Oedipal curse - that he would murder his father, and sleep with his mother and sister. His mother had run away with his sister when he was four, so he had no memory of how they looked. To escape the curse, he leaves Tokyo and travels down to Takamatsu, whe Haruki Murakami's Kafka on the Shore primarily follows fifteen-year old solitary Kafka Tamura, who runs away from home because he can no longer stand the presence of his malevolent father. His father had prophesied that Kafka would fulfill the Oedipal curse - that he would murder his father, and sleep with his mother and sister. His mother had run away with his sister when he was four, so he had no memory of how they looked. To escape the curse, he leaves Tokyo and travels down to Takamatsu, where he whiles away his time at a private library and the local gym. In alternate chapters, we follow an elderly Tokyo man named Satoru Nakata, who suffered a strange episode when he was nine, causing him to lose all memory and his ability to read or write, but giving him the ability to talk to cats. One day, he decides to travel down to a place where there's a big bridge. He has no idea what to do once he gets there or why he needs to go there, but decides to worry about that later. And so, across 430-odd pages, the two characters run away and towards forces beyond their control, increasingly intertwining their lives, but never crossing paths once.

Kafka on the Shore took me close to a month to finish. It isn't even that huge, but there's so much intrigue in here, that occasionally I spent a few days digesting what I had just read. Had I known beforehand what this book had - magical realism, people who can talk to cats, people who can cross the invisible barrier between life and death - I may never have read this book. Interestingly, I never read much about Murakami's works before - these are apparently standard elements in his books. And despite my usual reluctance to read anything that's not grounded in reality, I thoroughly enjoyed this book. There were times, I emerged from the book as if in a trance. The writing is deceptively simple - I loved it that Murakami didn't bother with flowery sentences, rather relying on simple straightforward language to drive home his point.

Kafka on the Shore also follows other wonderful characters - Oshima, the person in charge of the library, who loves music and shares stories about musicians with Kafka; Hoshino, the truck driver who leaves everything and decides to accompany Nakata on his strange journey; Miss Saeki, the fifty-year old patron of the library whose tragic past clings to her even thirty years later, and who Kafka imagines to be his long-lost mother. These characters are as well-created as the two protagonists. When I started reading, I was more interested in Kafka's story, but as the pages kept turning, Nakata's strange mission intrigued me more.

Like I said, there is strange stuff happening in this book, and not even in the paranormal realm, but in a very metaphysical sense. Although my first brush with surrealism made me a bit worried, soon as I accepted it, I found I didn't have problem with anything else that the book offered. What I loved most about this book is that it definitely challenged me. It questioned my ability to accept the impossible or see beyond. It challenged me to accept the idea of people who can talk to cats and stones, people who can live as their present 50-year old self and their own 20-year old self, at the same time (though in different spaces). It challenged me to accept the idea of a world where you can meet dead people to get answers to your most pressing questions. This isn't your usual fantasy - think of it as Neil Gaiman's Coraline, who could go through a door in her home to the other side only to see an identical world, but much crueler. Like they say, once you accepted the impossible, the possibilities are endless. Mostly, Kafka on the Shore challenged me to construct my own barriers between reality and otherworld, and keep moving the barrier further as he put forth an idea.

Reading Kafka on the Shore made me remember why I loved the TV show, LOST. LOST wasn't a show you could take at face value. There was nothing superficial about LOST. For everything that happened in the show, there were layers and layers of hidden meanings underneath it. Two of the most common complaints I have heard of this show are that unbelievable stuff happen, and that no answers are given. And that's exactly how I would classify Kafka on the Shore. Unbelievable stuff happens on the outside, but underneath those, there are meanings. The book is written at such a metaphysical level that it's easier to grasp the threads once you understand that the world in this book runs on a different dimension. For that reason, this is a book that has to be reread - it's almost impossible to get all the threads at one go. And if this weren't a huge book, I would have reread it, but I think I'll revisit it next year. I'm pretty much astounded at Murakami's ingenuity at writing this book. How he managed to hold this story together with all that happens is pretty much incredible.

A note about the translation: The edition I read is a translation done by Philip Gabriel, and while it was a good piece for the most part, occasionally I felt as if the book was Americanized at places. I was especially disappointed to see the American currency used instead of the Japanese one, and in some places, the phrases are almost entirely American. ...more

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Jun 18, 2013 Joanna rated it it was amazing · review of another edition

Shelves: audiobooks, 2013-read, passport, 1001, rws-2013-fall

I really like listening to Murakami's books. With a good reader, I find myself involved in the emotional pull of the book much more quickly and easily in audio book format. The readers here were fantastic and really brought this book to life. I would still recommend that new readers of Murakami's work start with one of the more classic choices like The Wind-Up Bird Chronicle instead of jumping in here. But for Murakami fans this book absolutely delivers and is highly recommended. The story lines ...more

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Jul 08, 2009 Tien rated it liked it · review of another edition

Shelves: contemporary, literature

We follow the stories of a 15 year old runaway boy and an old mentally disabled old man who whilst appeared not to have anything to do with each other are somehow linked. There are parts to the stories which are intriguing but most are just strange. This definitely would not be a book I’d recommend to my more conservative friends noting the sexual content & “Oedipean curse”. At the end, we are left to infer some conclusions & meanings for ourselves.

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Jun 22, 2013 Mary Beth rated it liked it

The end kind of lost me.... I was doing fine with the metaphysical arguments until the last fifth of the book, then things stopped coming together. There were several story lines that I felt were left open, and because of this, I couldn't reconcile the story as a whole. ...more

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