Kindred in Book Riot's Read Harder Challenge

Apr 07, 2018 Rincey rated it really liked it · review of another edition

Shelves: poc-author, favorites, 2017

See me talk about it in my April wrap up: https://youtu.be/woDX9JTJ1t0?t=6m21s ...more

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Sep 06, 2011 Jeff Scott rated it really liked it · review of another edition

Shelves: fiction, audiobooks, science-fiction, race

The history of slavery in the United States is a well-documented horror. There seems to be enough first person narratives of runaway slaves and even photographs that can convey how bad it was, but could one really understand it unless they were living in that time? Octavia Butler uses an innovative technique to explore this idea. She probes further to examine how hate and racism can be built into a young innocent child and be turned into a very twisted man. She also examines how easily those thr The history of slavery in the United States is a well-documented horror. There seems to be enough first person narratives of runaway slaves and even photographs that can convey how bad it was, but could one really understand it unless they were living in that time? Octavia Butler uses an innovative technique to explore this idea. She probes further to examine how hate and racism can be built into a young innocent child and be turned into a very twisted man. She also examines how easily those thrown back in time can have little impact on the past and how that past changes those from the future with very hard lessons.

Dana and Keith have recently moved to a new place. Dana has been researching her heritage and with it, a history of slavery in the United States. One day, on her birthday, she is transported back in time to the antebellum South, Maryland 1819, and saves a young boy from drowning. When his father comes to thank her with a shotgun she is immediately sent back to her own time. This dynamic of being called for to help this same boy and sent back when she herself is in danger repeats in the story. Early on, it is a great technique to examine how hate can become embedded in a small boy:

“She said I was a what?” “Just a strange N—. Both she and daddy both said they had never seen you before.” “That was a hell of a thing to say since she saw me save her son’s life.” Rufus frowned. “Why?” I stared at him. “What’s wrong?” He asked. “Why’re you mad?” “You usually call black people N—Ruf?” “Sure. Mama says it too except when she has company. Why not?” His air of innocent questioning confused me. Either he really didn’t know what he was saying, or he had a career waiting for him in Hollywood.” (chap 3)

The first third of the book has this kind of back and forth. Dana is sort of a teacher, hoping that her interactions with Rufus will not make him turn out like his father. As the story progresses, it demonstrates the danger imminent in the time period. How that, even from the future, she is not immune to the actions of those in the past. This becomes far more serious as her trips back and forth in time become far less certain, allowing her to experience what it really would have been like to be slave.

“That’s the part that bothered me too, how easily we seemed to acclimatize. We both had trouble, but it seems like we should have had a harder time adjusting to this particular segment of history.” Chapt.15

Butler uses brilliant techniques, overlaying racism between the present day (of 1976) to the past (1819), how hate can grow in a small boy, and how helpless you can be in a society filled that controls a person as their property, the feeling of being trapped forever in that horror. It makes history that much more real. It’s also terrifying to see what Rufus becomes with a dramatic finish to the story.
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Jan 22, 2017 Donna rated it really liked it · review of another edition

Shelves: speculative-fiction

Time travel and slave memoir is an unlikely combination yet this book captures a well done genre blend that includes historical fiction, fantasy, and women's empowerment novel.

I'm giving nothing away by revealing that this story is about an African-American women who time travels between 1976 California and early 19th century Maryland to find herself on a slave plantation needing to keep a young white man alive long enough to become her great-great-grandfather.

The thing I like best about this ...more

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Sep 06, 2020 Kristen rated it really liked it · review of another edition

Shelves: magical-realism, aoc, 2020

Dana is a modern young Black woman, married to a white man called Kevin, and they are both authors. They have recently purchased their first real home together and are in the middle of unpacking when Dana feels dizzy and falls to the ground. When the dizziness passes, she finds herself outside and hears a child yelling for help. Since Dana isn’t a dick, she rushes to help and ends up saving a young boy named Rufus from drowning. The boy’s father comes across them and, thinking Dana is trying to Dana is a modern young Black woman, married to a white man called Kevin, and they are both authors. They have recently purchased their first real home together and are in the middle of unpacking when Dana feels dizzy and falls to the ground. When the dizziness passes, she finds herself outside and hears a child yelling for help. Since Dana isn’t a dick, she rushes to help and ends up saving a young boy named Rufus from drowning. The boy’s father comes across them and, thinking Dana is trying to harm his son, aims a rifle at her. Dana is then transported back to her home, soaking wet and covered in mud from her rescue efforts.

Over the next few weeks, Dana finds herself inexplicably called back to what she learns is the antebellum South, to a plantation with slaves. Somehow, anytime Rufus is in mortal danger, he pulls her back in time to him, completely unintentionally. Dana learns that Rufus is one of her ancestors and she has to keep saving him until he is able to father the child who is her direct ancestor. Each time Dana goes back, she stays longer and the trip is more dangerous for her. She eventually figures out that when she herself fears for her life, she is able to return to her own time, which is moving more slowly than the past. Dana spends hours, days, and months in the past and yet her own time period only moves forward by a few minutes or days even for her longest period spent in the past. Dana has to learn how to survive in a harsh past, retain Rufus’s trust enough that he doesn’t harm her himself just because he can, and keep her husband Kevin safe during her travels as well.

This story was a difficult and yet un-put-downable read. Difficult because of the subject matter but a very fast and engaging read. Even though it was written in 1979, there was not actually much reference to technology so it didn’t feel dated. In fact, it could have been written this year and would have been hailed as a timely discussion on race relations and equality, given the ongoing protests surrounding police brutality towards Black people. It was a horrifying read as well because it explores topics such as slavery, which is to be expected from the book’s premise. What was worst, though, was Dana’s thoughts on how easy it can be to become accustomed to injustice. The discussion of racism was deep and explored some of the ways in which it has become institutionalized in America even today. Some scenes reminded me of part of Angie Thomas’s novel The Hate U Give where Starr and her brothers received “the talk” from their parents. Not the sex talk, but the talk about what to do and how to act if and when they are stopped by a police officer. The fact that such talks are considered a necessary part of parenting for so many people is heartbreaking, and Butler’s novel shows readers partly why that has come to be.

Dana adapted fairly quickly to her new environment, not because she was somehow weak or didn’t resist hard enough, but because she had to adapt or die. Part of the discussion on how quickly Dana had to adapt to slavery conditions was also the sense of mutual obligation between many of the characters. They all tried to look out for each other and take everyone’s well being into consideration, even if it was sometimes to their own detriment. But parents, for example, would do whatever was necessary to spare their children and to keep them with them rather than being sold to different places far away. I can understand that; there is nothing I wouldn’t do to keep my daughter safe with me in those conditions. Despite Dana’s ability to adapt quickly to her new circumstances, she was not spared from being on the receiving end of some awful abuse, and she lived in constant fear of being sold to a plantation further south that was notorious for its truly brutal conditions. A modern person worrying about being sold - if that doesn’t absolutely horrify you, then you must be part of the problem.

Part of the discussion on adapting is, I think, the ways Dana and the other Black characters view Tom Weylin and Rufus. Tom initially appears to be brutal, every bit the worst of the stereotypical slave owner. As the novel progresses, how he is viewed doesn’t change so much to liking him as to seeing how he is more or less a fair man operating within the social constructs of his time period. He is a hard man and sometimes does cruel things, but he is doing what is allowed for him to do and doesn’t really step out of those bounds, as disgusting as they are to our modern sensibilities. Similarly, with Rufus, he seems to grow up to take after his father in most ways, except that he is in love with Alice, and his father never would have loved a slave. Use her body, yes, but love her, no. Dana is able to forgive Rufus for so many wrongs, and he actually seems to do worse things than his father ever did. He makes overt threats to Dana, lies about sending her letters to Kevin when he got trapped in the past, and is a volatile drunk. His father at least never seemed to let himself get out of control like Rufus does. In many ways, Rufus is a pitiable character, largely lacking in understanding, empathy, or willpower. To be fair, though, I’d probably be blind fucking drunk all the time if I had to live in the South at that time of history. In any case, the way Dana and the other Black characters view the Weylins very much makes me think of Stockholm Syndrome. Maybe they were just as awful as one thinks they were but the effect was lessened over the course of the novel by the psychological impact of being held against their will, malnourished, beaten and whipped, and worked until they dropped.

Normally, I don’t care much for first-person perspective in novels. But I think first-person is the only way this novel could be as powerful as it was. If Dana hadn’t been the narrator, if we had a third-person POV instead, it would have created a distance between the characters, events they went through, and the reader; the situations she went through would not have been as visceral an experience for readers and thus the discussions on various issues would not have been as effective.

The title itself is a stark reminder that being related to a person doesn’t always mean they are your family. There’s a big difference between relatives and family. Rufus and Dana are related to one another. They have a sense of mutual obligation to each other, though an admittedly lop-sided one. But they are in no way family as I would define it. So that makes an interesting contrast throughout the book, especially when you consider Dana and her husband’s relationship, and her relationship with the slaves. She seems much closer to them than to Rufus, her actual relative. Similarly, her marriage to Kevin is illegal in the past and, I would imagine, is seen as at least odd in 1976. I don’t think interracial marriages were very well tolerated at the time.

In any case, this was a terrific read, if difficult at times because of the things that happened to people. I definitely recommend it to any fans of timeslip, sci-fi, magical realism, or antebellum history.
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Dec 22, 2010 molly rated it really liked it · review of another edition

while i think that in some ways, "kindred" is even more of an accomplishment than "sower", it didn't grab me the same way. maybe this was because "sower" was the first of butler's books i read, but i also didn't find myself totally getting into the character of dana, as opposed to lauren in "sower", who was much more arresting, even if she was ultimately more strange and unknowable. ...more

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