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For anyone who thinks Len Deighton was not as good a writer as John LeCarre; please realize you are mistaken in underestimating him. This series of three books more than shows he can stand alongside his more well-known rival. Reading this work will demonstrate that to you fully. The two authors simply work in different styles, as one might expect of two separate talents. Deighton never needed to imitate LeCarre to produce works of equal stature in this genre. And by the way, Deighton's non-espio
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Deighton's Bernard Samson is a neat cross between Adam Hall's "Quiller" and John le Carré's "George Smiley," both in style and substance (and that's not a bad thing). Deighton combines Hall's wry first-person voice with le Carré's complicated plotting (and odd fascination with both "moles" and cuckolds) to create a book that - if not truly unique - makes a valuable addition to the British Cold War espionage canon, (not to be confused with American espionage fiction - I recently had to break thos
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I've come late to an appreciation of Len Deighton; after reading The Ipcress File as a breathless teenager (many years ago, soon after the film came out) and a miscellany of his other novels at various points over the years, I only recently discovered the bulk of his espionage fiction and realized what a top-notch practitioner of the genre he is. Le Carré may always appeal more to the literary set, but for a solid, convincing spy tale anchored in reality, you can't go wrong with Deighton.
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Apr 05, 2011
Sayan Bhattacharya
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