Saga


Saga, Volume 1
Harry Potter and the Philosopher's Stone (Harry Potter, #1)
Saga, Volume 2
Saga, Volume 3
Harry Potter and the Prisoner of Azkaban (Harry Potter, #3)
Saga, Volume 4
Harry Potter and the Chamber of Secrets (Harry Potter, #2)
Harry Potter and the Deathly Hallows (Harry Potter, #7)
Harry Potter and the Goblet of Fire (Harry Potter, #4)
Harry Potter and the Half-Blood Prince (Harry Potter, #6)
Saga, Volume 5
Harry Potter and the Order of the Phoenix (Harry Potter, #5)
Saga, Volume 6
The Hunger Games (The Hunger Games, #1)
Twilight (The Twilight Saga, #1)
The Other Boleyn Girl by Philippa GregoryThe White Queen by Philippa GregoryThe Constant Princess by Philippa GregoryThe Boleyn Inheritance by Philippa GregoryNefertiti by Michelle    Moran
Royal Fiction
551 books — 248 voters
Emma by Jane AustenDune by Frank HerbertKate by Tate JamesFake by Tate JamesLiar by Tate James
It is a four letter word......
349 books — 39 voters

Gone with the Wind by Margaret MitchellThe Pillars of the Earth by Ken FollettThe Thorn Birds by Colleen McCulloughWar and Peace by Leo TolstoyLes Misérables by Victor Hugo
Big Page Count, Epic Historical Fiction
212 books — 232 voters
Harry Potter and the Sorcerer's Stone by J.K. RowlingThe Lion, the Witch and the Wardrobe by C.S. LewisThe Diary of a Young Girl by Anne FrankBridge to Terabithia by Katherine PatersonThe Great Weather Diviner by Rob      Long
Books for Middle-Schoolers
324 books — 161 voters

Shōgun by James ClavellMemoirs of a Geisha by Arthur GoldenThe Wind-Up Bird Chronicle by Haruki MurakamiStrange Weather in Tokyo by Hiromi KawakamiNorwegian Wood by Haruki Murakami
Fictitious Japan
204 books — 38 voters
Saga, Volume 1 by Brian K. VaughanPaper Girls, Volume 1 by Brian K. VaughanThe Walking Dead, Vol. 1 by Robert KirkmanThe Wicked + The Divine, Vol. 1 by Kieron GillenSex Criminals, Vol. 1 by Matt Fraction
Great First Volumes from Image Comics
96 books — 26 voters

Paul                            Smith
My work explores family and power as lived forces. I write fast, letting pressure expose character. I see my characters fully, in rooms, in moments, and the words follow. Editing is where I sharpen the sensory detail, so readers can see what I saw as I wrote.
Paul Smith, Marcella Sicilan Nostra

Lynette Rees
She was going to do it. She was going to the mine. And if it crushed her, if it killed her, if it blackened her lungs and buried her name—at least her brother would live.
Lynette Rees

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