Monster Theory


Monster Theory: Reading Culture
The Monster Theory Reader
The Monstrous-Feminine: Film, Feminism, Psychoanalysis
The Dread of Difference: Gender and the Horror Film (Texas Film Studies Series)
Killing Monsters: Why Children Need Fantasy, Super Heroes, and Make-Believe Violence
It Came from the Closet: Queer Reflections on Horror
The Monster Show: A Cultural History of Horror
The Ashgate Research Companion to Monsters and the Monstrous
Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World
Men, Women, and Chain Saws: Gender in the Modern Horror Film
The Philosophy of Horror or Paradoxes of the Heart
Queer Others in Victorian Gothic: Transgressing Monstrosity (Gothic Literary Studies)
Dead Blondes and Bad Mothers
Anti-Blackness and Human Monstrosity in Black American Horror Fiction (New Suns: Race, Gender, and Sexuality in the Speculative)
Classic Readings on Monster Theory: Demonstrare, Volume One (Arc Reference)
Nikita Gill
The Truth About Monsters: The truth is this, every monster you have met or will ever meet, was once a human being with a soul that was as soft and light as silk. Someone stole that silk from their soul and turned them into this. So when you see a monster next, always remember this. Do not fear the thing before you. Fear the thing that created it instead.
Nikita Gill

Ebony Elizabeth Thomas
I have found much value in considering monster theory, color theory, and the history of racial analogies in speculative fiction. However, when we read literary and cultural texts from the perspective of the monster, not the protagonist, we find ourselves in a completely different ballgame. This is why taking a supposedly 'neutral' or 'objective' approach to theorizing the dark fantastic is problematic; the default position is to allow those who are used to seeing themselves as heroic and desired ...more
Ebony Elizabeth Thomas, The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games

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