Hard Boiled

Hard-boiled crime fiction is a literary style, most commonly associated with detective stories, distinguished by the unsentimental portrayal of violence and sex. Derived from the romantic tradition which emphasized the emotions of apprehension, awe, horror and terror, hardboiled fiction deviates from that tradition in the detective's cynical attitude towards those emotions. The attitude is conveyed through the detectives inner monologue describing to the audience what he is doing and feeling.

The genre's typical protagonist is a detective, who witnesses daily the violence of organized crime tha
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The Big Sleep (Philip Marlowe, #1)
The Maltese Falcon
Farewell, My Lovely (Philip Marlowe, #2)
The Long Goodbye (Philip Marlowe, #6)
Red Harvest (The Continental Op #1)
The Lady in the Lake (Philip Marlowe, #4)
The High Window (Philip Marlowe, #3)
The Little Sister (Philip Marlowe, #5)
The Thin Man
L.A. Confidential (L.A. Quartet, #3)
The Postman Always Rings Twice
Killing Floor (Jack Reacher, #1)
Trouble Is My Business (Philip Marlowe, #8)
The Big Nowhere (L.A. Quartet, #2)
The Black Dahlia (L.A. Quartet, #1)

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Raymond Chandler
I opened the other envelope. It contained a photograph of a girl. The pose suggested a natural ease, or a lot of experience in being photographed. It showed darkish hair which might possibly have been red, a wide clear forehead, serious eyes, high cheekbones, nervous nostrils and a mouth which was not giving anything away. It was a fine-drawn, almost a taut face, and not a happy one
Raymond Chandler, Playback

James Crumley
...the sun rose each morning to stare into my face with the blank but touching gaze of a lovely retarded child.
James Crumley, The Last Good Kiss

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