Grateful Dead


Searching for the Sound: My Life with the Grateful Dead
Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead
A Long Strange Trip: The Inside History of the Grateful Dead
Home Before Daylight: My Life on the Road with the Grateful Dead
Living with the Dead: Twenty Years on the Bus with Garcia and the Grateful Dead
Garcia : An American Life
The Electric Kool-Aid Acid Test
This Is All a Dream We Dreamed: An Oral History of the Grateful Dead
The Complete Annotated Grateful Dead Lyrics
Dark Star: An Oral Biography of Jerry Garcia
Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip
Jerry on Jerry: The Unpublished Jerry Garcia Interviews
So Many Roads: The Life and Times of the Grateful Dead
Bear: The Life and Times of Augustus Owsley Stanley III
Playing in the Band: An Oral and Visual Portrait of the Grateful Dead
Searching for the Sound by Phil LeshThe Real Book of the Dead by Collette SinclaireThe Complete Annotated Grateful Dead Lyrics by Grateful DeadInterviews With the Dead, Part 1 by Collette SinclaireMessages From Heaven by Collette Sinclaire
Grateful Dead
50 books — 14 voters

For me, making a record is like building a ship in a bottle. Playing live music is like being in a rowboat in the ocean.
Jerry Garcia, quoted by William Plummer in "The Holy Goof: A Biography of Neal Cassady", p. 144h

Grateful Dead performances were by design not consciously planned, often reaching their artistic peak when the collective stumbled upon something stunning, when "the music played the band," as it were. Instead of using set lists, the Grateful Dead chose songs by experimenting together until a pulse, rhythm, phrase, or riff emerged from the group, suggesting a song. Their collective, improvisatory musical works communicate felling like any other artwork. ...more
Steven Gimbel, The Grateful Dead and Philosophy: Getting High Minded about Love and Haight

More quotes...