Baroque


La vida es sueño
Quicksilver (The Baroque Cycle, #1)
Don Quixote
Paradise Lost
The Confusion (The Baroque Cycle, #2)
The System of the World (The Baroque Cycle, #3)
Le Cid
Jerusalem Delivered
Hamlet
Bernini (Penguin Art and Architecture)
The Manuscript Found in Saragossa
Phèdre
Tartuffe
Don Juan
Love and Louis XIV: The Women in the Life of the Sun King
The Mysteries of Udolpho by Ann RadcliffeWaverley by Walter  ScottEvelina by Frances BurneyWorks of Samuel Johnson. Rasselas, Prince of Abyssinia, A Gra... by Samuel JohnsonThe History of Sir Charles Grandison Bart by Samuel Richardson
What Jane Austen Read
20 books — 3 voters
Forever Amber by Kathleen WinsorLibertine's Kiss by Judith JamesFrenchman's Creek by Daphne du MaurierLaird of the Mist by Paula QuinnThe Black Madonna by Stella Riley
17th Century Romance (1601 - 1700)
217 books — 70 voters

Goddess by Kelly GardinerJulie, Chevalier de Maupin by Anne-France DauthevilleMademoiselle de Maupin by Théophile GautierAmande by Henri EvansLa petite Maupin by Henri Evans
Novels about Julie d'Aubigny
6 books — 3 voters


Jean Baudrillard
Like all disappearing forms, art seeks to duplicate itself by means of simulation, but it will nevertheless soon be gone, leaving behind an immense museum of artificial art and abandoning the field completely to advertising. A dizzying eclecticism of form, a dizzying eclecticism of pleasure - such, already, was the agenda of the baroque. For the baroque, however, the vortex of artifice has a fleshly aspect. Like the practitioners of the baroque, we too are irrepressible creators of images, but s ...more
Jean Baudrillard, The Transparency of Evil: Essays in Extreme Phenomena

Arnold Hauser
As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous world-view, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ...more
Arnold Hauser, The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque

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