Bards


The Naming (The Books of Pellinor, #1)
The Sea of Trolls (Sea of Trolls, #1)
Beyond World's End (Bedlam's Bard, #4)
The Lark and the Wren (Bardic Voices, #1)
The Riddle (The Books of Pellinor #2)
The Name of the Wind (The Kingkiller Chronicle, #1)
The Book of Three (The Chronicles of Prydain, #1)
The Islands of the Blessed (Sea of Trolls, #3)
The Bards of Bone Plain
The Land of the Silver Apples (Sea of Trolls, #2)
Magic's Promise (The Last Herald-Mage #2)
A Cast of Corbies (Bardic Choices, #1; Bardic Voices, #2.5)
The Riddle-Master of Hed (Riddle-Master, #1)
The Singing (The Books of Pellinor, #4)
The Crow (The Books of Pellinor #3)
Angels of Music by Kim NewmanThe Phantom of the Opera by Gaston LerouxMusic For Another World by Mark HardingSoul Music by Terry PratchettKillashandra by Anne McCaffrey
Musical SFF
34 books — 4 voters


Robert Jordan
It was what the gleeman had called Plain Chant, those nights beside the fire on the ride north. Stories, he said, were told in three voices, High Chant, Plain Chant, and Common, which meant simply telling it the way you might tell your neighbor about your crop. Thom told stories in Common, but he did not bother to hide his contempt for the voice.
Robert Jordan, The Eye of the World

Rupert Ferguson
These great Nordic incursions were to result in the marginalization of the once semi-autonomous Pictish, English and North British Princedoms that had preceded the arrival of the Norsemen on British soil. And, as they disappeared beneath the onslaught of the Viking Hosts, the ancient bardic traditions, which had once been succoured by these previously distinct ethnic groups, gradually became intertwined with one another as a result of widespread migration, inter-marriage and cross fertilization; ...more
Rupert Ferguson, The Lay of the Last Minstrel: Sir Walter Scott and the Border Minstrel Tradition

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