The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives

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Darkemeralds Hi Pippa. If I've read La Parure it was ages ago in French class, but I agree with you that a well-constructed story could present different premises …moreHi Pippa. If I've read La Parure it was ages ago in French class, but I agree with you that a well-constructed story could present different premises to different people.

Often in reading these relative prescriptive writing books (I'm giving myself a homemade MFA in creative writing right now by immersing myself in Shawn Coyne, Larry Brooks, Robert McKee, Christopher Vogler, Libbie Hawker...) I feel like the author is forcing their system onto a work, making it fit. Egri is no different.

However, the exercise of finding in my own work what Egri calls the Premise (which is kinda-sorta what Coyne calls the Controlling Idea and Brooks calls the Concept, and OMG *pulls hair*) -- that is, what *I* think the Premise is -- has helped me tighten the story up, nail it down, eliminate excess, etc.

Someone else might read my story (wouldn't that be great?) and take a different core meaning from it. But if I've done my job, the reader will take "my" meaning from it too.

PS Hi, total stranger on Goodreads. :D(less)

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