Review, Hoeveler & Heller, eds., Approaches to Teaching Gothic Fiction (2003)

Approaches To Teaching Gothic Fiction: The British And American Traditions Approaches To Teaching Gothic Fiction: The British And American Traditions by Diane Long Hoeveler

My rating: 3 of 5 stars


This is a collection of essays mostly about actual courses people have taught, so it's mostly rather dry, factual reporting of practical applications of various kinds of pedagogy to the Gothic. (The stand-out exception was the guy who brilliantly made his class of non-majors write an epistolary novel together.) I found it interesting mostly because I want to incorporate more Gothic in my teaching (although even there, I would have preferred at least partial focus on more modern Gothic, instead of the one essay about teaching Anne Rice and Stephen King*). I mean, it's an MLA book, I should not be surprised that the approach is, ahem, conservative. (And I did appreciate Tamar Heller pushing the boundary with her essay on teaching race, gender, and imperialism in Victorian Gothic.)

So, yeah, not of interest unless you really are interested in teaching 18th and 19th century Gothic. (Or, of course, Anne Rice and Stephen King.)

___
*Because of which, I think, all the other essays in the book, when they mention modern Gothic/horror, do so as if "Anne Rice and Stephen King" is a suitable synecdoche for the whole shebang (instead of just two examples of an extraordinarily diverse genre) which is the kind of superficial understanding I was actually hoping a book about teaching the Gothic would not have.



View all my reviews

comment count unavailable comments
1 like ·   •  1 comment  •  flag
Share on Twitter
Published on February 12, 2023 08:01
Comments Showing 1-1 of 1 (1 new)    post a comment »
dateUp arrow    newest »

message 1: by K.S. (new)

K.S. Trenten No mention of Storm Constantine or Poppy Z. Brite? I wonder if Stalking Tender Prey or Lost Souls? would be considered modern Gothic?

What do you teach?

Is modern Gothic anything Gothic written by a modern author? Would you consider The Bone Key modern Gothic?

Excuse me if these questions seem very silly. I've been tripping over genre a lot, feeling much of the same frustration Storm Constantine described going through, in writing things that don't quite neatly fit in a genre. At the same time I understand wanting certain things in your genre. When my husband discussed re-doing Dark Shadows with no Collinwood, no Gothic ambience, and making Barnabas Collins a modern computer geek, I was...distressed. (wry grin)


back to top